Oi You! Urban Art Festival is bringing Banksy to town – Adelaide

18 04 2013

This week sees the opening of Oi You! an Urban Art Festival which is bringing 22 of Banksy‘s art works to the Adelaide Festival Centre’s Artspace Gallery, alongside a multitude of works from some of the worlds leading urban artists and loads of free events from the 20th of April til the 2nd of June.

Oi You

For 6 full weeks, alongside Banksy‘s works will be pieces by Faile(USA), Swoon (USA), David Choe (USA), Antony Micallef (UK), Paul Insect (UK) and Milton Springsteen (NZ) all the way from curator George Shaw’s collection. There will be art installations, art giveaways and new walls across the city by Rone, Beastman, Anthony Lister, Vans the Omega, Kab 101, Fredrock, Seb Humphreys, Gary Seaman, Matt Stuckey, Yarnbombers and Jayson Fox.

The best part-it’s free! Oi You! will kick off with an opening night party on the 19th, which will give fans a sneak peek at the exhibitions, talks from some of the artists and a DJ set by talented local electronic artist, Oisima. Hosted by Longview Winery (the winery behind Krush Klinic) and Fresh FM, Oi You! also includes free tours of the best sites of urban art around the city hosted by the artists themselves at Big Walls Adelaide and a Street Art Film Night on the 10th of May.

Oi You! is a ridiculously awesome and unique chance for Adelaide to play host to some of the worlds best urban artists so definitely get along and check it out over the 6 weeks. Not an opportunity to be missed. Head over to the Oi You!  Facebook page or to http://www.cityofadelaide.com.au for more info on the Oi You! Urban Art Festival. 

City Of Adelaide  ||  Facebook  ||  Splash Adelaide





Young & Free – San Francisco

5 09 2011

Some call Australia the ‘lucky country’, but we’ve always made our own fate. From a rebellious past we’ve forged an identity steeped in cunning ingenuity, creative discontent and unorthodox flair.  We’ve staged rebellions over rum, gained notoriety and won Nobels. We invented cask wine and Wi-Fi and we’ve won countless world titles. There may not be a lot of us, but we’ve always packed a punch.

So it is no surprise that with nothing more than a can of paint and a glint in their eye Australians are taking the street art scene by storm. It’s time for the rest of the world to sit up and take notice.  Young & Free will be the most significant exhibition by Australian street artists ever seen in the United States. The show will feature fresh work by thirteen of Australia’s finest urban art guerrillas – from the already internationally acclaimed to the burgeoning up-and-comers. This tribe of artists comes from a variety of backgrounds: brilliant new work by notorious 80’s train painters through to the sublime subtlety of a modern day Rembrandt armed with a spray can. Young & Free is a reflection of Australia’s thriving street culture with a strong grounding in the past and a firm focus on the future.

These artists are modern day bushrangers, patrolling the lanes from Melbourne to Manhattan. This show features a mix of direct sprays, stencils and paste-ups, representing the rich and varied groundings from which these artists have grown. No matter their age, medium or style, the Young & Free artists all share one thing in common: they want to give the urban landscape a fresh coat of paint. There are many similarities between Australia and San Francisco. Both have famous bridges, internationally established street art cultures and, of course, trams. What is different is our beginnings. Australia’s criminal foundations have seeped into our national persona – Aussies are born with a spirit of rebellion. As the opening lines from our national anthem proclaim, ‘Australians all let us rejoice, for we are Young & Free.’ The cans have been capped, the wheat paste stirred, and the stencils packed: this is the most important Australian street art exhibition ever, mate.

ARTIST PROFILE – Part 1 of 2 


Anthony Lister – www.anthonylister.com
A trendsetter with an international following and a general disregard for borders, prolific street artist and painter Anthony Lister has managed to marry the empathy and abjection of 20th Century figuration with the irreverence of the street. His work shows a genuine affection for the human body, and also a tender understanding of the ways in which the demented, destructive, playful and powerful collide and coalesce. From Brisbane, Lister moved to New York in 2003 and it was there that he found a visual language of his own. He shifted his focus to painting superheroes and this shift gave his work newfound forcefulness. He retained his distinctive approach to mark-making, but began appropriating and re-imaging comic muses, relatable characters that act as classical mythology’s pop equivalents. These characters have become proxies for Lister, allowing him to react to the world as he sees it and pursue tongue-in-cheek philosophical explorations – explorations that raise more questions than they answer. Lister exhibits extensively worldwide and appeared in the publication ‘Beyond the Street: The 100 Leading Figures in Urban Art’, cementing his place in the history of the movement.



Ben Frost – www.benfrostisdead.com

Ben Frost is known for his kaleidoscopic Pop Art: mash-up paintings that take inspiration from areas as diverse as graffiti, collage, photorealism and sign writing. Over the last ten years he has been exhibiting throughout Australia and internationally, including solo shows in London, New York and San Francisco, as well as group shows in Beijing, Mongolia, Amsterdam, Berlin and Singapore. By subverting mainstream iconography from the worlds of advertising, entertainment and politics, he creates a visual framework that is bold, confronting and often controversial. In print, his work has appeared in countless magazines and newspapers including Vogue, Harper’s Bazaar, Oyster, WeAr, Monster Children, Ok!, HQ, Eyeline, Australian Art Collector, Broadsheet, and Art Monthly. When not designing and painting, he co-founded the online art portal StupidKrap.com and also began, and still runs, the international paste-up event ‘Paste Modernism’. He resides and creates in Sydney.


Dabs & Myla – www.dabsmyla.com

Melbourne natives Dabs and Myla are a dynamic duo who relocated to Los Angeles in 2009 .They are both members of the infamous SDM CREW from Melbourne Australia, and recently joined the World Famous SEVENTH LETTER collective. Dabs started painting graffiti in 1995, and began teaching Myla the ropes of graffiti writing about ten years later after meeting in art school where they became friends and eventually fell in love. Soon afterward, they decided they liked their collaborative pieces better than their individual work, and from that point on, they worked together exclusively, as Dabs Myla. Inspired by graffiti, travel and their wonderful chaotic life together as a couple, their paintings play Dabs’ mischievous and sometimes ribald characters off Myla’s photorealistic cityscapes. Since their move to California, they have never spent more than a few hours apart. They say, “I guess we are pretty lucky… two peas in a pod! Two crazy, workaholic, mad dorks in a pod! After years of living, painting walls and working together, we have only become closer, stronger and even more in sync. Every day we wake up, paint all day, and keep each other entertained with constant chatter and stupid jokes. Who could ask for more out of life?”


DMOTE – www.dmote1.wordpress.com
Sydney born Shannon Peel is not only known as legendary Australian graffiti writer Dmote but also as an internationally acclaimed designer, illustrator and painter. In 1985, at the age of 15, he started painting the Sydney streets and he has played a substantial role in the underground Australian graffiti scene. His talent has taken him to subways, streets and galleries the world over, including the United States, Japan, Italy, Spain, Canada, Holland, Switzerland, Germany, Croatia and Bosnia. He currently lives and works in New York. He has curated exhibitions and festivals around the world as well as being published in countless publications and videos (i-d, Dazed and Confused, The Face, Refill, Warp and Rolling Stone just to name a few). Dmote continues to stay true to the fundamentals of the art form and remains active as a street writer and artist.


HA-HA – www.regantamanui.com
HA-HA is a master stencil technician graduating from the streets of Melbourne. Without the aid of Photoshop, his cutting technique produces almost lifelike imagery easily recognisable as his signature work. His choice of figures and characters reflects his opinions on society and culture – bushrangers, the effects of consumerism, signs of our obsession with the media and the portrayal of society, all lightly dusted in an air of sarcasm. He has been exhibiting for over nine years he has held sixteen solo shows in Melbourne, Brisbane, Hobart and Sydney, and is represented by galleries across Australia. His work can be found in the collection of the National Gallery of Australia, State Library of Victoria, City of Melbourne, and private collections across Australia, NZ, UK and USA. Hailing originally from New Zealand, HA-HA now calls Australia home, working and living out of his studio above one of Melbourne’s most notorious graffiti-strewn laneways.


Kid Zoom – www.kid-zoom.com
Kid Zoom has been anointed with the title, ‘Rembrandt with a spray can’ by none other than the master painter, Ron English. Kid Zoom’s incredible talent, and his paramount technical proficiency in using solely free-hand aerosol to create his work is changing the brash connotations of the medium. Last year saw him go from relative obscurity to being one of the most exciting new talents in the street art movement, exhibiting alongside Shepard Fairey, Banksy, Jean Michael Basquait and Keith Haring. Starting his career in Perth, he now resides in New York where in December 2010, he had his successful solo exhibition ‘This City Will Eat Me Alive’. His art combines precise photo realism, expressive distorted pop imagery and aggressive street and gallery installation work. Combining astonishing spray can ability with classical painting technique, Kid Zoom is tipped to a be a star of his generation.

Stay tuned for part 2 of the artist profiles, coming soon. 

Young & Free  ||  Young & Free Twitter  ||  Young & Free Facebook





Banksy’s works heading to Sydney as part of the ‘Outpost Project’

30 08 2011

A private collection of 23 of Banksy’s works is heading to Sydney’s Cockatoo Island for the biggest street art festival in the southern hemisphere, Outpost Project. The Banksy works’ journey to Cockatoo island will be the first time that the Oi You! Collection (which houses the Banksy works) will have been seen outside of New Zealand.

“People are fascinated by Banksy’s art and by his identity, which has never been revealed. This is a private collection, showcasing an art movement that has become a global phenomenon,” says Geoff Bailey, Sydney Harbour Federation trust executive director. The festival, presented by the Sydney Harbour Federation and curated by aMBUSH Gallery, will include about 51 different projects, featuring more than 100 local and international artists including Meggs, Anthony Lister, Ben Frost and Kid Zoom.

The festival will include the grand final of Skateboarding Australia’s 2011 Pro/Am tour, educational programs, art-making projects, live art, pop up bars, DJs, tours and family activities. The festival is free and will run over five weeks from 4 November 2011 to 11 December 2011.

aMBUSH Gallery  ||  Banksy  ||  Oi You!





Space Invaders – National Gallery Of Australia

24 10 2010


Drawn entirely from the collection of the National Gallery of Australia, the first Australian institution to have collected this type of work, Space invaders. Australian, street, stencils, posters, paste-ups, zines and stickers surveys the past 10 years of Australian street art. Featuring 150 works by over 40 Australian artists, this exhibition celebrates the energy of street-based creativity and recognises street stencils, posters, paste-ups, zines and stickers as comprising a recent chapter in the development of Australian prints and drawings.

Space Invaders: This is a stick up - A Saturday of street art at the National Gallery of Australia. All free. Saturday 30th October. To launch the exhibition Space Invaders.
The Gallery is preparing itself to be overrun by street artists who will demonstrate their techniques and distinctive styles in a range of free activities:
10.30 am – 3.30pm The infamous Everfresh crew create a graffiti, stencil and paste-up installation in the new Australian Gardens
11.00 am – 4.00pm Capital Letters: the National Gallery of Australia Zine Fair is presented by Melbourne’s Sticky Institute in the Gallery’s Gandel Hall
11.30 am – 12.30pm Book signing with Ghostpatrol, Miso, Nails, Twoone and the Everfresh crew in the Gallery Shop
2.00–3.00pm Jaklyn Babington, curator of the exhibition, is joined in the Project Gallery by artists Vexta and Nails, who will discuss their works featured in the exhibition

Space Invaders looks at artists and their iconic street-based works at the point of their transition from the ephemeral to the collectable and from the street to the gallery.

An initial wave: Connecting crews: While modern hip-hop inspired graffiti reached Australia in the early 1980s, Australian street art is a relatively recent phenomenon. The transition of many practitioners from graffiti styles to street art experimentation is often still strongly rooted in graffiti culture. Many artists hold fast to the established codes of conduct and rules of the game that define the graffiti culture at its purist core: skill in placement, originality of style and degree of risk associated with the creative act.
However, by diversifying a freestyle spray-can practice with sprayed stencils, screenprinting techniques and hand-drawn paste-ups, Melbourne’s infamous Everfresh crew and Perth-based artist Yok show their skill in transitioning between the internally coded, abstracted writing of graffiti and the mass-communication motivations of street artists.

Neo-Pop: a culture of sampling and appropriation: Out of the Australian street stencil craze, an Australian Neo-Pop culture of sampling and appropriation materialised. Space invaders presents Ned Kelly, Yoda, science-fiction monsters, subhumans and robots, the screaming face of Marion Crane in Hitchcock’s Psycho, media celebrities and cultural icons such as Diana and Charles as the subject matter for a generation of street artists who, over the past decade, have enthusiastically embraced television, computer games, films and animation as primary subjects. These artists have harnessed the disseminating power of the internet, digital photography and quick-copy scanners and printers in their pursuit of new forms of figuration.

Politics and commercial counter-attacks: A major strength of Australian street art is its ability to mix pop-culture imagery with political messages. From hard-hitting protest to political satire, clever combinations of sarcasm, mockery and parody, the means to mix art, politics and the street press is now in the hands of a new generation of Australian artists. Vexta comments on the highly politicised topic of immigration, artist-activist Azlan takes up his spray can in a hard-hitting approach to terrorism and the socially minded Civil encourages people to act together to force political change. Street art veteran Marcsta and the driven Mini Graff arm themselves with the weapons of irony and humour in the creation of iconic ad-busting prints and stickers that serve as scathing commercial counter attacks on the large multi-national corporations who dare assume ownership of Australian public space.

The return of the hand: Space Invaders also explores a paradox that has emerged in Australian street art in which an early flirtation with new technology has given way to a sentimentality for the traditional and the handmade. Artists such as Anthony Lister, Al Stark, Nails, Twoone, Ghostpatrol and Miso have led the way in the recent embrace of labour-intensive and traditional modes of art making, including detailed papercut pieces, ink drawings, etchings, linocuts and collage installations. Australian street artists are crossing from the streets to the gallery with new and inventive expressions of street-inspired creativity.
While numerous approaches and diverse creative philosophies make up the Australian street art scene in 2010, the true and central constant has been the do-it-yourself ethos. Space Invaders takes a close look at street art and the many ways that artists are getting up, getting out there and getting seen.


Visit The National Gallery Of Australia here.





Sofles Exhibition: Adelaide Oct 7

22 09 2010
Ironlak and Bull and Bear are proud to present the South Australian debut of Russell Fenn aka Sofles, with a four-day exhibition in the heart of Adelaide city.
Notorious graffiti figure. Prodigious talent. Sofles has been both reviled and embraced by the media over his ten-year career, which began as a graffiti artist in Brisbane, Australia. After a well-publicized conviction in 2009, Sofles burst onto the scene with various sold-out exhibitions, collaborations with artists such as Anthony Lister, Ben Frost and Revok, and contracts with the likes of Red Bull, Myer, Adidas, and Toohey’s.
Returning from a tour of New York and Los Angeles, Sofles has chosen Adelaide for his first interstate exhibit, with new works on canvas featuring his signature mash up of aerosol, acrylics and oils, rendering evocative imagery in explosive colour. The progression from graffiti to canvas was a natural one, explains Sofles.
“Not much has changed, really. I’m painting every day, using the same tools, applying the same techniques, to a different platform, with a different audience. The work is finer, more considered, but my graffiti influence has been really well received.”
Sofles imagery is wide and varied, with collages of mind-bending abstraction melting into intricate form, perfect snapshots of the artist’s wild imagination. Sofles’ ability to create depth and detail with aerosol is unmatched, and combined with his bold use of colour renders pieces so distinctive they have firmly set Sofles reputation as one of Australia’s most watched contemporary artists.
This not-to-be missed exhibition runs at the Bull & Bear bar and restaurant from 6pm Thursday October 7th until Sunday October 10th.
For more details, and to follow Sofles’ work please visit his webpage here.








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