Sietta – The Seventh Passenger (Out Now)

25 07 2011

Be prepared to be impressed by the fiery electronic soul of Darwin duo Sietta, and their debut album The Seventh Passenger. With a voice influenced by the rugged blues of Etta James and Memphis Minni, Caiti Baker’s powerful presence and themes of empowerment, love and hurt leave an unforgettable mark on the listener.

In another time she may have gone down an R&B/pop path – such is her rich soaring delivery. Thankfully, Sietta didn’t dumb down; embracing a grittier direction, coated in a disarmingly alluring voice. As Kahlil Gibran said: ‘Beauty is not in the face; beauty is a light in the heart’. Crucial to what makes Sietta special is producer James Mangohig’s street-smart bass and drums, a reimagined electronic sound heavily influenced by hip hop. You have to be a real music lover to bring together indie sensibilities and dubstep aesthetics, rhythm & blues and industrial sounds into a soul joint. Only then to strip it all back to an acoustic jam revealing a universal appeal that floors even the most guarded listener. The Seventh Passenger was co-produced and mixed by APRA and AIR Award winning producer Count Bounce (Sparkadia, Urthboy, Ash Grunwald).

Sietta are hitting the road supporting The Herd on their Future Shade Tour kicking off next month. Dates are listed at www.elefanttraks.com

Twitter  ||  Elefant Traks  ||  Purchase Sietta – The Seventh Passenger





Vents Rollin’ Balls Tour

6 06 2011

The wait is finally over with the arrival of Vents new album Marked For Death and fresh tour dates announced this week for SA and VIC – see details below:

An imposing live performer Vents has toured nationally with Funkoars, and most recently Hilltop Hoods. In 2007 Vents enjoyed a level of mainstream success with his debut album Hard To Kill. The track Love Song was picked up by Triple j and in the following years he toured extensively, playing festivals such as Big Day Out, Homebake, Summadayze, One Movement and Groove is in the Park. May 13th this year saw Vents release his sophomore album Marked For Death, once again enlisting Trials of the Funkoars to handle production duties. Trials has recently experienced a huge amount of success behind the boards – producing Drapht’s platinum single Rapunzel and working with Ash Grunwald, Hilltop Hoods, Abbe May as well as countless others. Gifted newcomer, ADFU comes on board to complete the team. Label mates Sesta & Hilltop Hoods add guest vocals to the album supplying another dimension to the project. Since releasing Hard To Kill in 2007, a loyal following has eagerly anticipated his next release. An extended hiatus hasn’t tarnished Vents’ standing with Hip Hop fans; in fact it’s fed the anticipation. Four years on, Marked For Death serves at the big brother to his debut release, with a more mature, introspective, sometimes cynical but always honest view of the world, that is both unique and entirely relatable.  The first single History Of The World has garnered airplay across the country with support on both independent radio and national broadcaster Triple j, heralding exciting times ahead for Vents in 2011.


Catch Vents on the “Rollin Balls Tour” Dates Below: 
Adelaide, SA – Sunday, June 12th – Gabrielles @ HQ 
Melbourne, VIC – Friday, June 17th – Espy Front Bar 
Falls Creek, VIC – Saturday, June 18th – The Main Hotel 
Canberra, ACT – Thursday, July 14th – Transit Bar 
Newcastle, NSW – Friday, July 15th – CBD Hotel 
Bondi, NSW – Saturday, July 16th – The Beach Rd Hotel 
Toowoomba, QLD – Thursday, July 21st – Spotted Cow 
Brisbane, QLD – Friday, July 22nd – The Step Inn 
Perth, WA – Sunday, August 7th – Metro City w/ Wu Tang Clan

Download Rollin’ Balls  ||  Vents Twitter  ||  Vents Facebook





Red Fox Records: City Wide Krew – Garden State EP

24 01 2011

From the hills of Mt Hotham to the streets of Melbourne City; from a sold out show with the Funkoars to your best mates backyard; from party raps to lyrical wisdom, City Wide Krew are about to become the one hip hop group you wished you’d heard of first.

Originally a duo consisting of Fusion MC and Sammy Rocswell, City Wide Krew (aptly named, due to Fusion’s home in Melbourne and Rocswell residence in Geelong) overcame geographical distance through a mutual love of listening to and making hip hop music. Long trips down the Geelong freeway become rigueur de jour as the group embarked on the embryonic stages of their recorded career, sparking what would soon become a lifelong love of writing and performing hip hop music.

The group in its current guise was spawned during a fated trip to Amsterdam in 2007, when emcees Fusion and Rocswell joined up with Kaydel and Mutley, coming together as a collective for the very first time. After a night of hip hop, Heineken and herb, the boys formed City Wide Krew with the primary aim of bringing Australian hip hop music back to its essence – this would be hip hop music of the people, by the people, for the people…to coin a phrase.
Inspired by the early music of Lyrical Commission, Bias B and Hilltop Hoods, but schooled on a heady blend of Led Zeppelin, Dire Straits, Black Sabbath and Sam Cooke, City Wide Krew create music that is grounded in traditional hip hop sensibility, but flecked with the divergence of Rock n Roll, Soul and Reggae. The result in a sound that is musically intricate, yet universally accessible. In 2009 DJ/Producer Pyrex One joined the group completing the final piece of the band’s puzzle.


Initially gaining notoriety for their energetic live shows, City Wide Krew quickly found themselves supporting some of Australian hip hop’s biggest names; sharing the stage with the likes of Phrase, Funkoars, Ash Grunwald, Illy, Terra Firma, Mantra and Low Budget. Not ones to rest on their laurels however, 2009 saw City Wide’s first foray into the studio, with their ‘ode to travelling’ On The Push receiving national airplay on Triple J’s Hip Hop show.

In 2010 City Wide Krew are set to release their debut EP The Garden State through Red Fox Records (more on Red Fox Records below). Executive produced by Matik (Pez, Bliss N Eso, The Herd, Seth Sentry) and featuring production from Simplex (Obese Records), Motley (Dynamite MC, Bliss N Eso) and Pyrex One, The Garden State traverses the musical landscape, creating a style and sound that is unprecedented for a debut release. As always, lyrically, the EP is infused with wit, probing insight and a very healthy dose of City Wide humour.

In a little under four years, City Wide Krew has gone from relative unknowns to playing sold-out shows with the Funkoars and receiving national airplay on Triple J. It has been a meteoric rise in a cut-throat hip hop market and one that doesn’t look like abating. With the boys setting the hip hop agenda in 2011, don’t let us be the ones that said, I told you so.


Red Fox Records
Red Fox Records is a Melbourne based, independent record label, dedicated to unearthing and establishing Australia’s next wave of local hip hop talent.
Established in 2009, Red Fox Records was created to provide an outlet for emerging and niche independent artists and to give rise to an alternate voice in local hip hop music.
In accordance with the labels core aim of fostering new talent and only signing artists that adhere to the labels’ easy-going, no ‘bullshit’ values, Red Fox’s initial signings were up-and-coming local hip hop collective, Citywide Krew (Melbourne) and emerging Certified Wise MC, LevelHeaded (South Australia).
With the crew putting the finishing touches on their brand new fox-hole and with two new releases slated for later this year, Red Fox Records is set to stalk your speakers soon.



This is the title track off the Levelheaded album The Spice Of Life (2009) remixed by DJ Pyrex from City Wide Krew.





Funkoars – Tour Diary Pt. 3

9 09 2010


Funkoars hit the snow recently for some shows with Ash Grunwald on his album Launch Tour.
Alot of driving and partying was done before they headed back to Adelaide to prepare for The Ultimate Hangover show at HQ on 10th September.

After a string of sold out tours and festivals, the Funkoars have been taking a well earned sabbatical from what was essentially a two year long hangover. Now after some serious stomach pumping and quality time in rehab, The ‘Oars are ready to deliver their last Adelaide show for 2010. Not only will this mark their final hometown show of 2010, but we will also see the Funkoars performing selected cuts from their back catalogue for the very last time.

Promising to deliver a world class performance, the Funkoars have pulled out all the stops – more booze, more women and more of the raw, to give Adelaide the best of the baddest! This will be the quintessential performance of the ‘Oars career, solidifying their position as one of the countries best live acts!

Currently buried deep in the studio, the Funkoars have promised to give their city a taste of what’s to come in their long awaited and highly anticipated new album scheduled for release early 2011. Do not miss this opportunity to punish your liver and beat it beyond recognition with the Funkoars one last time for 2010!

Helping the Funkoars deliver the best show of 2010 will be Adelaide’s own Adroit Effusive, launching their brand new album The Album plus Melbourne guests Maundz with Crate Cartel AND a very special performance from the legendary DJ Bonez. On hosting duties is K21 and lest we forget, sealing the SA deal is local DJ’s Debris (Hilltop Hoods) & Kirk (Premium Blend)!





Funkoars – Tour Diary Part 2

2 09 2010


Funkoars hit the snow recently for some shows with Ash Grunwald on his album Launch Tour.
Alot of driving and partying was done before they headed back to Adelaide to prepare for The Ultimate Hangover show at Hq on 10th September
After a string of sold out tours and festivals, the Funkoars have been taking a well earned sabbatical from what was essentially a two year long hangover. Now after some serious stomach pumping and quality time in rehab, The ‘Oars are ready to deliver their last Adelaide show for 2010. Not only will this mark their final hometown show of 2010, but we will also see the Funkoars performing selected cuts from their back catalogue for the very last time.

Promising to deliver a world class performance, the Funkoars have pulled out all the stops – more booze, more women and more of the raw, to give Adelaide the best of the baddest! This will be the quintessential performance of the ‘Oars career, solidifying their position as one of the countries best live acts!

Currently buried deep in the studio, the Funkoars have promised to give their city a taste of what’s to come in their long awaited and highly anticipated new album scheduled for release early 2011. Do not miss this opportunity to punish your liver and beat it beyond recognition with the Funkoars one last time for 2010!

Helping the Funkoars deliver the best show of 2010 will be Adelaide’s own Adroit Effusive, launching their brand new album The Album plus Melbourne guests Maundz with Crate Cartel AND a very special performance from the legendary DJ Bonez. On hosting duties is K21 and lest we forget, sealing the SA deal is local DJ’s Debris (Hilltop Hoods) & Kirk (Premium Blend)!


Get your tickets here while you still can.





APRA Music Award winners announced

22 06 2010

The 2010 APRA Music Awards have been announced and Adelaide lads The Hilltop Hoods took home the gong for Urban work of the Year with the track Still Standing.

The other big winners on the night were The Temper Trap who took home Song Of The Year gong for their track Sweet Disposition.
AC/DC
were finally recognised for their contribution to Australian music with Angus and Malcolm Young being awarded the Song Writer Of The Year award as well as the Most Played Australian Work Overseas gong for their single Rock ‘N Roll Train.
Other notable winners include Ash Grunwald.

Full List of Winners:
Apra Song Of The Year: The Temper Trap – Sweet Disposition
Songwriter Of The Year: AC/DC’s Angus and Malcolm Young
Most Played Australian Work Overseas: Ac/Dc – Rock ‘N Roll Train
Breakthrough Songwriter Of The Year: Empire Of The Sun – Walking On A Dream
Dance Work Of The Year: Empire Of The Sun – Walking On A Dream
Urban Work Of The Year: Hilltop Hoods – Still Standing

Most Played Australian Work: Eskimo Joe – Foreign Land
Rock Work Of The Year: Eskimo Joe – Foreign Land
Country Work Of The Year: Troy Cassar-Daley – Big, Big Love
Blues And Roots Work Of The Year: Ash Grunwald – Breakout
Ted Albert Award For Outstanding Services To Australian Music: Jimmy Little
International Work Of The Year: The Fray – You Found Me

In other Hilltop Hoods news. The new DVD Parade of the Dead will be released in October 2010. Stay tuned for more info on the DVD over the coming months.






allaussie hip hop Interview with Ozi Batla

29 04 2010


We catch up with Elefant Traks emcee Ozi Batla to chat about his upcoming debut solo LP Wild Colonial (May 14).

Wild Colonial is the title of your upcoming debut solo LP, dropping next month on Elefant Traks. It’s a great sounding title, whats the concept behind it?
“Wild Colonial” is from the old Irish/Australian folk song “Wild Colonial Boy” about the legendary bushranger and his fight with the authorities. It captures the rebelliousness of how I like my hip hop. The colonial is me, not just of this country but also of hip hop – so the “Wild” relates to “Wild Style” also. The album’s partly about me coming to terms with my place in hip hop and in Australia.

You have teamed up with Sydney producer Sandro – (ex-Good Buddha) for most of the album, what was it that originally attracted you to his style of production?
I’ve always been a fan of Sandro’s, from “Skillathon” to “Some 6000 Sighs” with Sinus. Sandro has a real crate-digger’s aesthetic which I feel is rapidly being lost in modern hip hop. He digs deep for the records he samples, and he has a broad interest and understanding of a vast range of music. Everything’s sampled off vinyl, straight into either the SP1200 (for the drums), the MPC3000 or the S950. If you know your shit you know this is real equipment for making real rap music!

Can you give us a quick snap shot of some of the themes and issues present on Wild Colonial?
Reflections on 15 years on stage and making music. The contradictions of being artistic and being ambitious. The melancholy of lost love, loneliness and spiritual emptiness. The key things in life that keep me motivated and happy. The history and future of our country.

What’s it been like working on a solo album compared to say The Herd or Astronomy Class albums, was the process easier ?
This album is much more personal than previous outings with The Herd and Astronomy Class. In some ways it has been easier. Sandro and I were very open with our criticism as we made the album. Sandro’s got a good ear for lyrics and flow, which is not always the case with producers. I’ve got my own musical ideas as well and it’s a credit to Sandro that he was open to some of them. Working with more people is cool because you move in some unexpected directions, but I really enjoyed the creative control this time. Apart from DJ Bonez and some backing vocals from SistaNative, it’s all me and Sandro.

Just recently you played the “Before Too Long” shows, what was that experience like and how did it compare to the normal Australian hip hop gigs?
The “Before Too Long” shows were the highlight of 2009 for me. It was an extraordinary challenge to be alongside some really great singers and backed by Augie March. I was definitely the outsider but built some great bridges with the rock side of the scene. It also gave me the confidence to really attack all the singing on “Wild Colonial” with gusto – I realised that I can sing and I don’t always need to get someone else to sing melodic hooks.

You have been described as a veteran of the Australian Hip Hop scene. What’s it been like watching the scene evolve over the years into what it is today and being a part of that?
It’s rewarding to see young acts like Thundamentals or Horrorshow doing so well. There’s some paths and networks established now that weren’t there when we started. Tour circuits, radio shows, street press columns, a number of record labels, web forums and blogs – it’s easier to get out there but harder to make a mark. But even when I started there were people who’d been doing it for years. The idea at the heart of the matter hasn’t changed: You do what you love as well as you can and if you have some success, that’s a bonus.

You are a big supporter of the community, conducting hip hop workshops for disadvantaged youths in aboriginal communities and the inner city for many years now. Tell us a little bit about that great work and why you think hip hop can have a positive effect?
It is rewarding work, and it can give you a bit of a boost when the music game is getting you down (which does happen!) It’s taken me to some amazing parts of Australia and I feel privileged to have the opportunity to understand more about different cultures, be they indigenous or non. Hip hop is an immediate and easily understood form of expression that can break through with young people who have retreated into their shells because of the lives they have led. Hip hop asks them to tell their stories.

Your renowned for your often politically charged lyrics, in a recent blog post you mentioned that 77% (The Herd) may need a rewrite. What do you think about our current leaders and Government?
I think the Labor Party are doing good things at a federal level, but it disappoints me with regards to race and immigration. It’s like the big obnoxious elephant in the room that no one dares to deal with. Astounding because you know it grates on a lot of those politicians to make populist declarations like “we decide who arrives and the circumstances blah blah”. Then they turn around and say Australia is not a racist country. If it’s so tolerant why can’t they make these hard decisions. Putting a hold on Afghani refugees at the moment is so hypocritical I don’t know where to start. We started the war in their country that they are fleeing from but they can’t come here. Unbelievable.

Caught any decent gigs recently that we should hear about?
Saw Lupe a few weeks ago, was pretty cool. He’s a lot more ripped than I thought! Played with Ash Grunwald at a festival and caught his set – always great – junkyard percussion and drum machines. Going to see Space Invadas and Koolism next week.

Be sure to grab your copy of Ozi Batla’sWild Colonial dropping May 14 on Elefant Traks. You can check out the first single Put It On Wax below, and for a short time grab it free over at the Triple J site.

Elefant Traks blog
Ozi Batla Facebook





allaussie hip hop Interviews Trials from The Funkoars

4 02 2010

Emcee Trials, from The Funkoars’ spoke to allaussie hip hop recently as the group prepare to embark on a co-headlining tour with blues artist, Ash Grunwald. The tour kicks off in Melbourne this Friday night (5th Feb) and then heads up the coast to Sydney (12th Feb) and then on to Brisbane (13th Feb). We ask Trials about the move from Shogun to Golden Era, how The Funkoars teamed up with Ash Grunwald and find out what’s on the agenda for The Funkoars this year.

AAHH: Shogun unfortunately had to shut their doors recently. The Funkoars needed a new home and you seemed to find one pretty quickly at Golden Era Records, how has this transition gone?
TRIALS: The transition has been sweet. After Shogun closed it made it hard for a whole heap of people, obviously here and internationally, good guys, like Strutta and Ill Bill. It’s pretty wack, but we had no beef at all with the guys at Shogun, they were great and made it pretty easy for us. It’s just one of those things in this economic climate, I guess. With the move to Golden Era it’s given us another way to branch out, have more spots in Canada and The UK, and distribution wise. It’s good to have the resources of a major but without having their little sticky fingers involved. obviously to head over to Golden Era, with ya mates that you grew up with making hip hop, it makes things pretty easy.

AAHH: With the move to Golden Era we saw the release of The Hangover Premium Edition, which has the new track ‘Little Did I Know’ featuring Ash Grunwald. It’s an interesting dynamic, how did this relationship come about?
TRIALS:
Me and Sesta know the dude that does sound for the Hoods and knows Ash through his line of work. So we we’re talking about Ash and I told him that I liked what Ash was doing and he told Ash’s tour manager, turns out that he really liked our shit. So we starting emailing and at that time he was touring Canada. So he started doing up these rough little loops and he would send them over to me. We hooked it up so that when he got back from touring he came and stayed at my house for a few weeks. We made a fuck load of tracks. We used all the little rough fucking loops, and one of the first ones we worked on resulted in the new track, great timing for the Premium Edition really. So now I’ve started doing some production on Ash’s new album, so be on the look out for that.

AAHH: You have three huge shows coming up with Ash in Melbourne, Sydney, and Brisbane. Are you expecting some rowdy crowds?
TRAILS: They’re always good man. Melbourne is Ash’s hometown, so he has all his fans there, and we loving playing in Melbourne and up the coast, touring’s great. It helps that we all get on really well with Ash, and that we have similar musical tastes. I’ve never met a blues artist before that knows all the words to every Biggie song. It’s crazy! We’ve been messing around with something, so we may have to bust out a Biggie cover one night on tour. We’ll see.

AAHH: So The Funkoars have had a busy summer already, played a host of festivals, do you have a highlight?
TRIALS: OH Homebake was insanity. Incredible artists backstage and shit and then you had us HAHAHA. Sia was at Homebake and one of her spots were ruined by loud chants of ‘Fuck The Funkoars’. I sent Sia and email and was like, ‘Whats Happening Girl’? But no response yet!
AAHH: So you like to check out other acts at the festivals?
TRIALS: Yeah we check out the line up for sure, it’s good to catch the other bands.
AAHH: Who are you getting in to at the moment?
TRIALS: Oh the lads from Tame Impalar, those Perth guys….they are doing some dangerous psychedelic shit!
AAHH: So what’s keeping you busy for 2010?
TRIALS: Well I’ve just finished off the arrangements for Vents new album, it’s almost done. Just waiting for maybe one or two more joints, that should be dropping soon. Drapht’s also over here at the moment, he has been here for about a week. We’ve been working hard on his new album. That should be ready around July this year. Then maybe a Funkoars album later in the year!
AAHH: Are The Funkoars looking to work with any other ‘non’ hip hop acts on the next album?
TRIALS: Oh we’re never looking to work with any other artists as such, unless if like something fell into our laps….and it was some shit we liked!

AAHH: You’ve been making beats for years now and you have once mentioned that the beat you did for The Hilltop Hoods on the track, ‘Circuit Breaker’, was one of your favourite beats, is that still true?
TRIALS: Yeah it’s hard. Some of the work I’ve done with Drapht on his last album I’ve really enjoyed, some of the new stuff’s looking pretty good though. Circuit Breaker, and the story behind that track and how it was made….puts it up there with one of my favourites.

AAHH: Lastly, The Funkoars have just been announced to play at the Clipsal 500 alongside the Hilltop Hoods and Lowrider. All three crews are from Adelaide, are you looking forward to this hometown gig?
TRIALS:
Well I don’t know anything about cars really
HA but Adelaide’s always a great place to play. We like to save up all our good shit for Adelaide, we might play some new stuff or try some new things out. Adelaide always gets busy! We recently played a festival in Tassie with the Hoods and Lowrider, so we’re all pretty close. The drummer form Lowrider is always Trials ‘go to guy’ for drums HA!. Usually when we all get together we just drink whisky till we have seizes.

The Little Did I Know Tour kicks off with a massive night in Melbourne this Friday. Sydney and Brisbane need to look out the following week. If you haven’t got tickets for  any of the  shows, you can do so that by following the link here (via oztix.com.au.). As the flyer states, expect something special.
Low Budget support the Sydney and Melbourne legs, with Coalition Crew playing Brisbane.





Funkoars Top 10 for 2009 + Tour News

20 01 2010


The lads over at Golden Era, The Funkoars thought it was about time they sent in their top 10 songs for 2009. Even though voting has already closed, it’s good to see what the guys were feeling last year.  The Funkoars and Trials top 10 are listed below.

The Funkoars – Top 10 for 2009
Hilltop Hoods – Chase That Feeling
Hilltop Hoods – Super Official
Hilltop Hoods – Still Standing
Hilltop Hoods – Fifty In Five
Hilltop Hoods – The Return
Hilltop Hoods – The Light You Burned
Hilltop Hoods – Last Confession
Hilltop Hoods – Hillatoppa
Hilltop Hoods – Classic Example
The Funkoars – Little Did I Know feat. Ash Grunwald

MC Trials – Top 10 for 2009
Bloody Beetroots – Awesome
Dan Auerbach – I Want Some More
The Dead Weather – Treat Me Like Your Mother
N.A.S.A – Way Down
Kasabian – Where Did All The Love Go
King Khan & The Shrines – Land Of The Freak
Mos Def – Auditorium (Purely for Rick)
Street Sweeper Social Club – Clap For The Killers
Tame Impala – Sundown Syndrome
Urthboy – Shruggin

Seems the Funkoars know how to make their vote count HA!

In related tour news, on the back of the phenomenal success of The Funkoars and Ash Grunwald collaboration on the track ‘Little Did I Know’ – February 2010 sees them pull a stellar double-header show together when they join forces for a special run of dates in Sydney, Melbourne and Brisbane.

With a history running almost 10 years, four albums under their belt, as well as far too many guest appearances and production credits to list, The Funkoars are veterans of the Australian hip-hop scene.
On stage, just as on record, the live shows are Big. Big bass, Big hooks, Big wordplay, Big crowds. The Funkoars are renowned for their remarkable live shows, delivered with a brilliant sense of humour, with bangin’ beats, magnetic stage presence and contagious energy, with their usual level of debauchery thrown in.

True to their hard-working nature 2009 saw the band release 2 albums “The Hangover” and  “The Hangover Premium Edition” – and also undertake 2 major national tours. The Adelaide locals and veterans scored plenty of accolades on the road as they took cities and towns by storm with their standout brand of Hip-Hop, and added newfound devotees wherever they went to their ever-growing fan base.

2009 also saw The Funkoars celebrate joining the Golden Era Records family – the newly formed label by fellow Adelaide Hip Hop Legends the Hilltop Hoods – with an all-new “Hangover”. This Premium Edition version of “The Hangover” not only includes the hit singles ‘Black Sally’ and ‘What’s Your Malfunction’, but also the remarkable new track ‘Little Did I know’ which brings them together with ARIA nominated artist Ash Grunwald, and is the inspiration behind the forthcoming run of shows.

With massive support from Triple J over the past year – high rotation airplay and feature album with “Hangover” its no surprise ‘Little Did I know’ is up for voting in Triple J’s Hottest 100. Voting opens at 9am Monday 21st December and closes at midnight (AEST) Sunday 17th January 2010 – details here on how to vote for ‘Little Did I know’here.

You can catch The Funkoars and Ash Grunwald at the following venues:

Friday February 5th – Hifi Bar, Melbourne
Tickets available from http://www.oztix.com.au & http://www.thehifi.com.au
Friday February 12th – Metro, Sydney
Tickets available from http://www.oztix.com.au & http://www.metrotheatre.com.au
Saturday February 13th – The Zoo, Brisbane
Tickets available from http://www.oztix.com.au






Funkoars sign with Golden Era Records

20 11 2009

Big news today for all aussie hip hop fans (see what we did there), with the release of not only The Hilltop Hoods deluxe editions (The Calling, The Hard Road and The Hard Road: Restrung), drop today but we also got the announcement that The Funkoars have officially signed on the dotted line with Golden Era Records. This is the first signing, that we know of to take place with Golden Era, and hails an exciting time for not only The Funkoars but also the Hilltops. The Oars were kind enough to send us a message regarding the latest news and here’s what they had to say.

Yo, yes we have signed with golden era. The Hoods back catalogue and The Hangover Premium edition are both available from today through Golden Era, Get some!

Nothing like a little plug…

The Funkoars re-release, also drops today and features all new jams with Ash Grunwald and K21.
Original post of Hilltop Hoods deluxe editions here.
Original post of Funkoars deluxe editions here.

The Hangover was originally released on November 29, 2008 on the group’s own label, Peepshow Entertainment. Now it is at the Golden Era Records stable and presented as a wonderful ‘Deluxe Edition‘ which features 3 bonus tracks.

Tracklisting.
1. More Of The Raw
2. The Hangover
3. Black Sally
4. Show Money
5. Bootleg It
6. The Phallic Menace
7. What’s Your Malfunction
8. Double Dutch
9. Reign On The Masses
10. This Is How – Trials Remix
11. Let You Go
12. Never Coming Back
13. Do It Together
14. Lock Me Up
15. Little Did I Know
16. The Hangover – Sesta Remix
17. This Is How – Trials Remix








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