Candice Monique – FREE ME: The Mixtape

6 03 2013

Originally from Adelaide, South Australia – Candice Monique is a talented & unique singer/rapper/poet whose individual vocal and lyrical style draws comparisons to Neneh Cherry, Me’shell Ndegeocello, Lauren Hill and Erykah Badu.

Candice monique free me mixtape

It is this distinctive style along with her stage presence & artistic depth which makes her one of Australia’s most exciting & original new artists. After being discovered by Professor Griff (Public Enemy), Candice was flown to Atlanta, Georgia to record her first demo CD produced by Griff himself. There she worked with Atlanta’s Jason Orr (The FunkJazz Kafe) in 2003 and later returned to to the US in 2005 where she recorded with Neo-Soul Producer, Rich Medina in Harlem NYC. 

Candice returned to her new home in Melbourne and formed her stunning five piece band, The Optics, whose first album, In My Soul, was released on Freestyle Records UK in 2010. The band are currently recording a second album for release this year on Freestyle.

Over the last 8 years in Melbourne Candice earned her stripes and became a staple crop vocalist on the local hip hop and soul scenes singing backing vocals for a host of Melbourne bands including Diafrix, SIB, Direct Influence, Carmen Hendricks, Saritah and Traffik to name but a few. She has featured in collaborations with many local Hip-hop artists most notably the track Goodbye Gravity with M-Phazes and Muph (of Muph and Plutonic), singing the hook on the lead single to the M-Phazes album Good Gracious which won an ARIA.

She also featured on a track called Me Vs World, on the latest album by Simplex, as well as appearing on Moneykat’s single Nothing Is Safe produced by Lotek and stars in their new video clip for the song. Candice is also the front-woman for Metals (Illusive Records) who’s latest single was a collaboration written with rapper 360, and producer Styalz Fuego. She has also collaborated with 1/6, Kojo (of Culture Connect), Motley, 14 year old prodigy rapper Soliloquy. Luka Lesson on their collaboration Killing Time and US rapper Louis Logic.

Candice Monique has just released a ‘name your own price’ mixtape titled Free Me: The Mixtape. We highly recommend you pick that up, either by following the link here or below. Also, be sure to check Obese TV: Episode 2 as Candice features on the artist ‘Spotlight’.

Bandcamp  ||  Twitter  ||  Youtube  ||  Facebook





Ngaiire – Dirty Hercules feat. Nai Palm

25 02 2013

Dirty Hercules is the fierce new single from Sydney based future-folk/soul artist Ngaiire (pron. Nighree). The lead offering from her highly anticipated debut album Lamentations (due out June 2013) — an album partly written in an obscure little drinking bar in the suburban outskirts of Tokyo, Japan.

Ngaiire

Dirty Hercules is a commanding entry into the music world; Ngaiire’s peculiar vocal arrangements and rare sense of soul, reminiscent of vocal greats gone by, setting her well apart from other singers. The song speaks of the vast aberrations of the darkness, the sex, the lies, the money, the drugs that detract from the reality of our own core conditions. It sheds light on the towering ugliness of our ailing covetous nature, the misinterpretations of strength and the journey of acceptance that no two people can have the same story. Featuring friend and future-soul darling Nai Palm of Melbourne band Hiatus Kaiyote, ‘Dirty Hercules’ sees Nai add an additional depth that charters bottomless profundities exclusively championed by Questlove, Erykah Badu and Gilles Peterson. Nai’s husky vocals lay further assault to the hard-hitting dub step-esque bridge before rolling into a harmony-thick outro — a Ngaiire trademark and one that constantly challenged even a 48 channel Pro-Tool session come mixing time.

Co-produced by Ngaiire, Sydney bassist Tim Curnick and Japan based beat maker and pianist, Aaron Choulai, Dirty Hercules exemplifies what is to be expected from Lamentations. Showcasing Ngaiire’s great attention to vocal detail and layering as well as her love for musical aesthetics, and Aaron’s distinctive, Japanese-influenced electronic glitch and piano work, Tim’s pop sensibilities and production mastery are at the fore as Curnick balances perfectly the live and electronic components of Ngaiire’s music. Together the three along with Ngaiire’s drummer Ross Ferraro tracked Dirty Hercules in Tim’s parent’s beach house in Jervis Bay, mixing it (and the rest of the album) in a Tasmanian mountain studio shack with mixing virtuoso Chris Townend (Portishead, Silverchair, Violent Femmes).

Standing on the triple j’s 2010 Next Crop list alongside Kimbra, Lanie Lane, and The Jezabels, Ngaiire was born in one of the last great frontiers of the world, Papua New Guinea, migrating to Australia at just 16. Since then she has been building a reputation for herself as one of the country’s most recognisable and dynamic vocalists and performers combined with her love for uniquely flamboyant stage attire. Moving to Sydney after a brief stint studying for a Jazz degree at the Central Queensland Conservatorium of Music, Ngaiire embarked on a long period of touring overseas and in Australia with roots collective Blue King Brown, mentor and electronic maestro Paul Mac and gypsy jazz outfit Monsieur Camembert lead by ostentatious front man and Camelot venue owner Yaron Hallis.

Years later the need to focus on her own pursuits caused Ngaiire to quit the road and settle back in Sydney where she could discover and build herself as an artist. Journeying from folk soul to jazz hop to indie pop to everything in between, Ngaiire has finally settled on an eclectic sonic identity that is uniquely hers and one that can easily transcend universal territories with its electronic soul elements as well as gratify the folk sphere with her great adoration for storytelling and heartfelt laments.

Dirty Hercules steps forth from an album bookended by challenges, from Ngaiire’s car accident a day before recording started to the death of her sister upon the album’s completion: it stakes a flag in the ground as Ngaiire’s official arrival.

‘Dirty Hercules’ National Tour
Sat March 2 – Nannup Music Festival Nannup, WA
Sun March 3 – Nannup Music Festival Nannup, WA – Sat March 9 – Bridge Hotel Castlemaine, VIC
Special Guests: Ainslie Wills Trio
Sun March 10 – Northcote Social Club Melbourne, VIC – Special Guests: Hailey Cramer; Ghost Orkid
Sat March 16 – Blue Mountains Music Festival Katoomba, NSW
Sun March 17 – Blue Mountains Music Festival Katoomba, NSW
Sat March 23 – Republic Bar Hobart, TAS – Special Guests TBA
Fri March 29 – Clarendon Guesthouse Katoomba – Special Guests – Miss Little and Ribongia
Sat March 30 – FBI Social Kings Cross, NSW
Special Guests – Miss Little and Ribongia
Fri April 12 – The Joynt Brisbane, QLD – Special Guests TBA
Sat April 13 – Full Moon Party Noosa, QLD
Sun April 14 – Buddha Bar Byron Bay, NSW

Official  ||  Facebook  ||  Twitter





Letters To The Sun – Coin x Akouo

13 08 2012

Originating from two of the most musically isolated parts of Australia, Perth rapper Coin (of The Stoops / Coin & Taku) and Tasmanian DJ/producer Akouo (Javs & Akouo) have been quietly building a cache of sounds that blend neo-soul, backpack rap and eclectic rhythms.

The duo draw inspiration from a range of influences, from hip hop producers such as J Dilla, Pete Rock, Hitek, Exile and 20Syl to neo-soul figures like Amp Fiddler, Erykah Badu and Common. As a member of The Stoops, Coin collaborated with producer J Squared (Illy / Beathedz / Spit Syndicate) on their album Stoop Squared. It was soon followed up his album Home, a collaboration with future beats producer Taku (Raashan Ahmad/Miles Bonny)Coin’s work on The Stoops infectious summer anthem Free featuring 2010 Wam Song of the Year winner Georgi Kay was met with critical acclaim, earning The Stoops a strong run of festival shows and international support slots including Pete Rock, Kurtis Blow and LoopTroop throughout 2011.

Akouo builds musical soundscapes that encompass soulful melodies, unique beats and jazzy bass lines. His debut album Outwit The Muscle featured as Triple J Hip Hop Show ’Album of the Week‘ and it’s single Lazy Days collected strong rotation on triple j radio. His works include collaboration with artists such as Class A, Chance Waters and Dunn D. In 2010, Akouo released a collaborative EP with US MC Javs (DJ Bonez/Jase).

Download  ||  Facebook  ||  unearthed





Letters To The Sun – Appetizers

9 04 2012

Originating from two of the most musically isolated parts of Australia, Perth rapper Coin (of The Stoops / Coin & Taku) and Tasmanian DJ/producer Akouo (Javs & Akouo) have been quietly building a cache of sounds that blend neo-soul, backpack rap and eclectic rhythms.

The duo draw inspiration from a range of influences, from hip hop producers such as J Dilla, Pete Rock, Hitek, Exile and 20Syl to neo-soul figures like Amp Fiddler, Erykah Badu and Common. As a member of The Stoops, Coin collaborated with producer J Squared (Illy / Beathedz / Spit Syndicate) on their album Stoop Squared. It was soon followed up his album Home, a collaboration with future beats producer Taku (Raashan Ahmad/Miles Bonny). Coin’s work on The Stoops infectious summer anthem Free featuring 2010 Wam Song of the Year winner Georgi Kay was met with critical acclaim, earning The Stoops a strong run of festival shows and international support slots including Pete Rock, Kurtis Blow and LoopTroop throughout 2011.

Akouo builds musical soundscapes that encompass soulful melodies, unique beats and jazzy bass lines. His debut album Outwit The Muscle featured as Triple J Hip Hop ShowAlbum of the Week‘ and it’s single Lazy Days collected strong rotation on triple j radio. His works include collaboration with artists such as Class A, Chance Waters and Dunn D. In 2010, Akouo released a collaborative EP with US MC Javs (DJ Bonez/Jase).

Download  ||  Facebook  ||  unearthed








Follow

Get every new post delivered to your Inbox.

Join 550 other followers