Mantra – Loudmouth

3 05 2013

Melbourne-based rapper Mantra is thrilled to announce that he has signed with Ten To Two Records – the team behind records from Xavier Rudd & Seth Sentry this past year – ahead of the release of his new single Loudmouth this Friday May 3, 2013.

Loudmouth Mantra

As one of Australia’s most crucial new talents, ‘your favourite rapper’s favourite rapper’ Mantra is standing on solid ground with five years of touring, two full length releases and a triple j feature album (2011’s Speaking Volumes) already under his belt. Kicking off his career as a producer before being encouraged to pick up a mic, Mantra has emerged as one of the brightest stars in local hip hop. The autobiographical single Loudmouth celebrates the act of following your own destiny, and is the perfect way to usher in the next era of his career as he settles into his new home at Ten To Two Records.

This is 2013’s first signing for Melbourne-based independent label Ten To Two Records, which was launched in November 2012 by label director Ross Macpherson and No Dice Management partner Rowan Robinson with Arts Martial’s Promises Will Get You Nowhere.

Mantra will be hitting the road in support of Loudmouth this June, playing four select shows in Perth, Melbourne, Sydney and Brisbane. Tickets will be available next Thursday May 9 here and the usual outlets.

The ‘Loudmouth’ Single Tour – June 2013
Saturday 1st – Rosemount Hotel, Perth WA
Thursday 6th – Northcote Social Club, Melbourne VIC
Friday 7th – Coniston Lane, Brisbane QLD
Friday 14th – The Standard, Sydney NSW

Purchase  ||  Ten To Two Records  ||  Facebook  ||  Twitter





Soliloquy – Double Sided

12 03 2013

At just sixteen years of age, Soliloquy has accomplished more than most young aspiring rappers can even dream of, let alone will ever achieve. His debut performance was in front of a sold out venue, making a guest appearance on stage with New York Hip-Hop legend Pharoahe Monch.

Soliloquy Double Sided

In July of 2011, Soliloquy released his debut EP The Unveiling, receiving much acclaim from industry figures and the general public alike. He spent the following year honing his craft, working on new material and performing around Melbourne. 2012 brought yet another rebirth for Soliloquy, as he has matured lyrically and experientially. His second release Seven showed a more focused and concise lyricist, one with a discerning ear for structure and musical evolution. 

Having received airplay and acclaim from triple j for his collaboration with Mantra, Jeremedy (Grey Ghost), Julez and DJ Flagrant on the Max Damage produced Set It Off, Soliloquy is more focused than ever.

Soliloquy’s third offering Double Sided, is a short but concise piece of work that was released early in 2013. Featuring guest verses from Dylan Joel, Remi and Elemont and production from J Smith & Dutch, Max Damage, Billy Hoyle and SilentJay, Double Sided proves Soliloquy to be a more measured lyricist, yet one whom still displays a knack for intelligent and thought provoking lyrics. 

With a strong understanding of the foundations of Hip-Hop and respect for its’ future, Soliloquy proves that he intellectually surpasses his mere sixteen years and displays all the hallmarks of a long and prosperous career. Soliloquy’s latest EP Double Sided is available here.

Bandcamp  ||  Facebook  ||  Twitter  ||  Soundcloud





Illy Interview: Back To Bring It.

5 03 2013

The third studio album from Illy came in the form of Bring It Back. Described by the popular emcee as “a heart album“, the LP was not stylistically intended to follow-up from its predecessor The Chase. Reflective of the scene behind the genre, Bring it Back is largely a collaborative album, including all manner of vocal and production guests.

illy bring it back

aahh: After a bit of a break from recording, you’re back now with your latest LP titled ‘Bring It Back’. Tell us a bit about the new album?
Illy: It’s a throwback to music I listened to coming up. It’s also an album that I wanted to make for a while, well the idea of it anyway: just get a bunch of mates on some beats produced by mates and fucking rap. My style is never going to be grimy underground shit, that’s not who I am or want to be, but I think this is a lot more of a traditional hip hop sound to it than my other albums. When you have people like Reason, Trials, Mantra, Pez, Thundamentals etc involved in it, it’s going to work better if you’re coming into it like that. So yeah, Bring It Back is really just some sick raps over sick beats with a bunch of sick cunts.

aahh: The last couple of albums from Illy have been heralded as great successes, did this put any extra pressure on you to repeat this feat for the new album?
Illy: Not at all. It could have, but no. Coming at it from the angle I did, the pressure was never a thing. I knew it wasn’t a big mainstream kind of album, so I wasn’t worrying about competing with the Hoods or 60 with it. And the dye was cast on a lot of heads opinions long ago, so there was no thought of impressing them either. The last album in particular was a massive success, so it’s good to have that to build on, but it doesn’t mean that formula was what Bring It Back was going to be measured against.

aahh: You’ve just come back from a massive tour titled the ‘Bring It Back’ Tour, how was that? Were the crowds diggin’ the new tunes?
Illy: It was great, man. We had real dramas with the scheduling of the tour and the album release date, so it ended up that the tour finished before the album dropped. It made it very hard to really play people new stuff other than what was on the radio, but we did throw a couple of jams in.  The crowd definitely ate that shit up. In my opinion we put on a really high-energy show even in the worst case, so I find if you do shit with the same level of intensity, even if it’s completely new, people generally can get behind it. But as far as the tour itself, it was a blast, and we did some of our biggest numbers, which blew me away given that we were touring with no album out. Very thankful to have the support I do.

aahh: Where Ya Been featuring emcee Pez, seems to be a track where both of you are all too familiar with the subject matter. How did you find yourself dealing with that situation leading into the release of Bring It Back?
Illy: Just getting hit up by people man. It’s crazy how you stay really busy (in my case) or go off the grid for a long time (Pez) and are met with the same reaction. It just shows that your fans want you to be in their lives, which is a privilege, but at the same time it’s a bit like “shut the fuck up give me a minute to breathe” hahaha. I think Pez was a perfect fit for this track because of his extended hiatus. My verses are a bit more jokingly exasperated, I think the shit he’s been dealing with for the last few years really meant something. But in a lighthearted way. And in the lead up to Bring It Back, I just kept working to deal with it, did the Friday Flips, got a couple of other things on the go which haven’t seen the light of day yet.. Just kept busy man.

aahh: Diverting from hip hop for the moment, tell us about your recent graduation? Do you think hip hop in Australia will get to a point in time where the majority of artists in Australia will be able to live off their music?
Illy: No, definitely not. But there’s nowhere in the world, in any genre, where music provides such a utopian situation. There’s simply not that much room for everyone to be able to, especially in a country as small as Australia, in a genre as not universal as Australian hip hop. I got my degree, which was a LOT of hard work and effort and time, because it means in one way or another il be ok. It also means I can stick to my guns and not have to make music geared towards making money. No dance, no dubstep, none of that trendy shit. Same pop influence I always have written with, but never flavour of the month.

aahh: There are some big names on Bring It Back including Mantra, Thundamentals and the recently retired local icon Reason. What does it mean to you to be able to work with someone like Reason especially after retirement?
Illy: It means a lot, man. Re is from the generation before me, or 5 or 6 before me, from the suburb I grew up in Melbourne. He went to the high school a bunch of my mates from primary school did, used to put up in the alleyway behind where I was living etc. So even removing all the dudes done for the Australian hip hop scene, on a personal level its important to me. Also he has helped myself and especially my BBS mates out a lot over the years. I’ve given talks at his school, and he’s even written up a great review of Bring It Back, from an obviously biased position, but still obviously took a lot of time to do, and he didn’t have to. So there’s a lot of love there for Re and to come out of retirement for it was great. As for everyone else, Mantra, Grey Ghost, Prime etc.. Everyone involved in this album is there cause I think they’re fucking dope, and represent the different facets of the scene well. It makes it easier to not give a fuck about negativity when some of the dopiest in the scene are dropping verses or producing your album.  

aahh: Where Is My Mind pt. 1 was a track you performed on triple j’s Like A Version a few years back. The track was released on an Acoustic EP you did not long after that. Bring It Back features part 2 of Where Is My Mind tell us a bit about how the concept for these two tracks developed?
Illy: I don’t know to be honest. When I did the like a version, I had like a week to write it and had no idea what to do, then the night before I like just thought fuck it, it might be cool to mash-up lines. It would make it more memorable than just spitting the verses I’d already written. So, I was up till like 4am writing the two verses, then up at 7 to get to the j’s studios, and put it down. It went really well, and the plan was always to do another one, just needed enough material to come out, thankfully it did by Bring It Back release, because it really fit well into this album. It was originally over a Ta-ku beat, but Trials did a remix of it which worked so well that it ended up becoming the album version. There will definitely be a part 3 in a few years, no doubt! 

aahh: You have been working and touring with a super talented dude in M-Phazes, tell us a bit about the working relationship you guys have together. There was a series you guys worked on called Friday Flips, let us know about that one?
Illy: Friday Flips was a way to keep busy and producing new tunes. BIB was finished in April, and we couldn’t get a release date until what eventually became late September, so I wanted something to get me back out there, and I came up with the idea of Friday Flips. Basically it was just a cool way of making music with a degree of interaction from our fans, in that they select the track that we ‘flip’. It has been really well received, and so we will be doing a part 2 early this year. As for Phazes, I don’t think there are that many words left to describe the dude. He’s a phenomenon. IMO, and its again a very biased one, he is the best producer in the country, with a considerable amount of daylight between him and the few ultra talented dudes who would be next on my list. I’m lucky to be able to work so closely with Phizzle, and I’m really excited for the next album because I think that we have made some great music so far but the best is really going to come in future releases.

aahh: How do you see the state of Hip Hop in this country currently? 
Illy: I think its great. I think there are a lot of great people involved, the quality of music is always increasing, this year has been a new benchmark for quality releases (Hilltops, Maundz, Tuka, Thundamentals, Seth, Urthy, Trem etc), and there is a real sense of community still, as evidenced by the amazing, utterly brilliant Robert Hunter Cup weekend that just passed. There is a great vibe at the moment. I think the most important thing is for the ones coming up, young dudes etc, making sure they follow the right lead, and don’t rush into making decisions regarding their music, which will fuck their careers up. But on the whole I think even the younger generation who have a real chance of killing shit can can bullshit without being influenced by it, so on the whole shit is looking mad rosy.

aahh: There has been a lot of discussion around negativity in the local scene, with the majority of that discussion revolving around racism, what are your points of view on this subject and do you think hip hop gets a bit of a raw deal?
Illy: I don’t think racism in the scene is something I’ve witnessed, to be honest with you. In a direct sense, definitely not, ever. I came up performing with Iron Projects, Diafrix and 1/6 the same as with Mantra or Forthright or BBS, and we all got along. In a broader, systemic sense, removed from the artists, who all get along, I don’t know, but it is probably reflective of the country as a whole, so to single out this genre seems harsh. I do think it’s extremely important to give a voice to those without power, and hip hop is a perfect vehicle for that, always has been. Seeing the work a lot of artists do with workshops around the country, and labels like Elefant Traks who are bringing a lot of really dope indigenous talent to the fore, is sick and long may it continue, and inevitably attitudes of the general public will shift. As far as the charitable nature of the local scene, I really don’t think that can be called into question. There are far, far too many examples of big hearts to take any comment to the contrary seriously.

aahh: What’s next for Illy? New film clip or another tour?
Illy: Currently working on the next album with Phazes, and other than a few shows over the summer period, that’s me till early / mid next year. Yesssss! Thanks to everyone who made it to a show on the Bring It Back tour. Was a great tour and I am very grateful to have people support me without even hearing the album! New Friday Flips – Series 2 in early 2013. Bring It Back out NOW!

Purchase  ||  Facebook  ||  Twitter  ||  Official





Ishu – Way To Go feat. Mighty Joe

22 10 2012

A killer flow from California’s Mighty Joe, paired with Ishu’s big beats and sample trickery, Way To Go is the first peek at the new album Hand Made, due for release in November, 2012.

Produced after they met in Melbourne and worked on the MoneyKat album release, the track discusses the topic of which direction to take in life, with conscious lyrics and driving hip hop beat.

An apt topic for the duo, who met when Mighty Joe was travelling from his native land of the USA, not long after Ishu’s debut LP A World In Progress which was written whilst travelling abroad. A World in Progress enjoyed support nationwide earning the producer a spot on various stages including the Dub Shack at Peat’s Ridge Festival, and the support slot for Joelistics Voyager tour. The main single Progress (feat. Mantra) was chosen as Catch of the Day on triple j’s ‘Mornings with Zan’ show. 

The new album Hand Made will be available in November and features artists Mantra, Jeswon (Thundamentals), Candice Monique, One Sixth and Omar Musa. Equal parts dancefloor ready hip hop and downtempo electronic soul grooves, Hand Made’s production ranges from chopped sample based melodies to synth infused rhythms, drawing the listener in to an epic soundscape from start to finish.

Purchase  ||  Ishu Music  ||  Facebook





Illy Announces National Tour

18 06 2012

Off the back of his new smash single Heard It All, snowballing emcee Illy has announced a huge national tour throughout August and September. As well as major cities, the tour hits towns as far and wide as Toowoomba, Dubbo and Falls Creek, and will be the first chance for fans to hear material from Illy’s soon-to-bereleased third album Bring It Back, live and in the flesh. In support will be Chasm Soundsystem feat. Scryptcha.

Illy’s sophomore album The Chase spawned the powerful and well-loved singles Cigarettes (triple j Hottest 100 #25), The Chase and the Gold-selling It Can Wait feat. Owl Eyes (triple j Hottest 100 #29). It took him on two sold out headline tours, an endless list of festival bills and scored both ARIA and AIR Award nominations. Illy has thrown more fuel on the fire with Heard It All. And with a new album on the way, this is just a taste of what’s to come. Bring It Back is a positive departure from 2010’s The Chase and takes Illy back to his fundamental hip-hop roots. The album features creative collaborations with his local hip-hop peers including M-Phazes, Pez, Trials (Funkoars), Mantra and Reason.

Illy said, “Bring It Back is a record I’ve had in mind for some time. Usually I work with a very small team so being able to branch out and work with lots of new people has resulted in a really different sound. There are a bunch of songs on Bring It Back that I can’t wait to do live, so getting back out on the road can’t come quick enough!”

In support is Chasm Soundsystem, one of the leading hip-hop producers in Australia who has worked with local heavyweights such as The Herd, Resin Dogs, Dialectrix, Thundamentals, Urthboy and Skryptcha. Chasm’s new album This Is How We Never Die is out now through Obese. Tickets on sale 9am, Tuesday 19 June. See below for dates and venues. Heard It All is available now on iTunes. Look out for Illy’s new album Bring It Back later this year through Obese Records.

Dates are as follows:
Thursday 9 August – Tomba’s Toowoomba, QLD

Friday 10 August – The Zoo, Brisbane, QLD

Saturday 11 August – Great Northern Hotel, Byron Bay, NSW

Wednesday 15 August – The Plantation, Coffs Harbour, NSW

Thursday 16 August – The Cambridge Hotel, Newcastle, NSW

Saturday 18 August – Black Swan Hotel, Bendigo, VIC

Monday 20 August – Swindlers, Mt Hotham, VIC

Wednesday 22 August – The Station Report, Jindabyne, NSW

Thursday 23 August – RSL Auditorium, Dubbo, NSW (all ages)

Friday 24 August – Zierholz at UC, Canberra, ACT

Saturday 25 August – The Hi-Fi, Sydney, NSW (all ages)

Thursday 30 August – Fowlers, Adelaide, SA

Friday 31 August – Frat House Friday at Metropolis, Fremantle, WA

Saturday 1 September – The Capitol, Perth, WA

Friday 7 September – The Corner Hotel, Melbourne, VIC

Saturday 8 September – The Corner Hotel, Melbourne, VIC (afternoon show, under 18)

Saturday 8 September – Kay St Entertainment Complex, Traralgon, VIC

Tickets go on sale Tuesday 19 June.

Twitter  ||  Facebook  ||  Event





MoneyKat – ‘Nothing Is Safe feat. Candice Monique’ Video Clip

5 03 2012

MoneyKat is a full blooded album- political, personal and poetic. The debut album from international duo MoneyKat, comprising Omar Musa from Australia and Mighty Joe from California, it spans a diverse range of musical styles and ideas.

With production from New Zealand’s Fire and Ice (Scribe, David Dallas), Australian producer Ishu, Mercury prize winning producer Lotek (Roots Manuva, Speech Debelle), Californian producer Count and US rock veteran Geoff Stanfield (Black Lab, Sun Kil Moon), this is an international album with rich sonic texture. The palate of sounds ranges from reggae Nothing is Safe to classic soul-sampled hip hop Each Footstep, Ordinary People to minimalist, grime tinged bangers Power is Violence. Added to that are guest appearances by Australian MC Mantra, soul singer Candice Monique and Californian MC Senbei.

With themes ranging from love to migration to materialism, MoneyKat tries to capture the light and shade of everyday life. Recorded over a year in Seattle, California and Melbourne, MoneyKat is a labour of love and the duo are confident they bring something fresh but universal to local hip hop.

Track listing:
1. Garden of Eden
2. Power is Violence
3. Nothing is Safe feat. Candice Monique
4. High Stakes feat. Mantra
5. MoneyKat
6. We Dwell (Interlude)
7. What If
8.Get Yours
9. Each Footstep (Atonement)
10. Ordinary People feat. Senbei
Bonus Track: Journey

MoneyKat  ||  Facebook  ||  Soundcloud  || Pre-Order





MoneyKat – High Stakes feat. Mantra (Prod. Ishu)

13 02 2012

MoneyKat is an international hip hop duo comprising Omar Musa (Australia) and Mighty Joe (USA). After being sporadic collaborators for years, a highly successful tour in Indonesia spurred them into creating MoneyKat, a group intent on bring their soulful, personal, political and poetic style to ears and minds.

With contrasting accents, styles and tones, they are a dynamic musical partnership. Their debut album MoneyKat, recorded in the USA and Australia, will be released March 9, 2012 through Obese Distribution. The first taste of the album comes in the form of the track High Stakes feat. Mantra with production from Ishu. 

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Raise The Roof 3

6 02 2012

The Espy is pleased to announce that it is once again opening its doors up to a night of all local hip hop. Raise The Roof 3 picks up from where 2 left off, a colossal lineup showcasing the finest in established and emerging local hip hop. The first two instalments of Raise The Roof were a raging success, volume 3 is shaping up to be bigger then ever. 

Featuring Pez, Mantra, Thundamentals, AJ, Acumen, Sky’high, M-Phazes, Slap 618, DJ Flagrant’s Aussie Hip Hop video show and direct from the UK Shorty Blitz with more TBA. Raise The Roof 3 will be held at the Esplanade Hotel, Feb 17. Tix are $23 and are available now. You do not want to miss this one Melbourne. 

Espy  ||  Oztix





Push Over 2012

30 01 2012

Victoria’s longest-running all ages live music festival Push Over returns to Melbourne’s Abbotsford Convent on Monday 12th March with a killer line-up of upcoming Aussie talent including the freshest young Victorian acts, some of the country’s most fast and furious hardcore and metal bands and a full arena of hip hop including Mantra & 360. 

Firing thriller beats across four sound stages will be: Parkway Drive, 360, Tonight Alive, Yacht Club DJs, Alpine, Dangerous!, Snakadaktal, Mantra, Redcoats, Eagle and The Worm, Glass Towers, 8 Bit Love, Northlane, Skyway, Hands Like Houses, Mindset, Hallower, This Town A Forest, Awaken I Am, and Boris The Blade plus more to be announced. As well as featuring all your fave upcoming local bands, nine of the freshest young bands from across Victoria will share the stage in the FReeZA Push Start Grand Final. You can still register to be part of the Push It Hip Hop MC & Breakin’ Battles. Head to thepush.com.au to register ASAP!

Push Over is a fully supervised all ages drug/alcohol /smoke-free event managed by non-profit youth music organisation The Push.  Tickets on sale Monday 14 November for $40 plus booking fee, pre-sale from Ticketek/Moshtix/Oztix outlets, Ticketek.com.au, Oztix.com.au, Moshtix.com.au or Ticketek by phone 13 28 49.

What: Push Over
Who: Parkway Drive, 360, Tonight Alive, Yacht Club DJs, Alpine, Dangerous!, Snakadaktal, Mantra, Redcoats, Eagle and The Work, Glass Towers, 8 Bit Love, Northlane, Skyway, Hands Like Houses, Mindset, Hallower, This Town A Forest, Awaken I Am, Boris The Blade plus more to be announced.
When: Monday 12th March, 2012 (12midday til 8pm)
Where: The Abbotsford Convent, 1 St Heliers St, Abbotsford, Melbourne, Vic (free shuttle from Vic Park Station)
Tickets: $40 +bf pre-sale TicketekMoshtixOztix  by phone 13 28 49

The Push  ||  Twitter  ||  Facebook





Mantra 2011 Wrap Up

23 01 2012

2011 was an unheralded year for Mantra, your favourite rapper’s favourite rapper – as he’s widely known. Mantra had been lighting a fire under the genre as we know it with the release of his much talked about second solo album Speaking Volumes in September. 

After supporting Drapht on his Life of Riley National Tour and performing at the Come Together festival at Luna Park in Sydney earlier this year, Mantra was readying fans for what was to come…

The album’s first single Got Me Wrong feat. Parvyn Kaur Singh received high rotation on triple j, and was their most requested song during the week of its release. Shortly after the EP hit shelves, Mantra took his new set-list on the road for the Mantra Speaking Volumes Tour which featured special guests Tommy Illfigga, Ellesquire, In Good Company and more. Renowned for his involvement with hip-hop mentorship programs, Mantra (whilst simultaneously juggling his hip hop career) ran weekly workshops at juvenile justice centres in Melbourne with Dig Deep and Fresh Mob during the entirety of 2011.

Mantra also released the brand new music video for his second single from sophomore release Speaking Volumes  – Voodoo Music. Mantra also helped out on numerous other projects, including Drapht’s The Life Of Riley album, the In Good Company self titled LP and also Ishu’s – World In Progress & more.

Twitter  ||  Facebook  ||  Obese Records








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