I Forget, Sorry! – Mind Over Matter: Free single download from new album ‘Just Like Fireworks’

22 02 2011

Mind Over Matter are set to explode with their fittingly titled sophomore album Just Like Fireworks. March 18th marks the release date from this cracker of an album. Be sure to keep an eye out for this one.

Kicking things off in late 2010 with the debut single release Rappers In Wonderland, which was added to playlist on Triple J and community radio tastemakers, FBi. The new seventeen track long player is host to a melody of original and sample based beats which features a list of talented guest vocalist including; Pigeon John (US), Vida-Sunshyne, Saving Grace, Drakezilla, Jon Reichardt, Ernst Carter Junior (aka Sam Mcniell) and Lillian Blue. Mind Over Matter also incorporated; Matik (Pez/Seth Sentry), PokerBeats (Hilltop Hoods), Konfuzion, Allrounda (Germany) (DE) DJ Ilz, Jon Reichardt (producer/ multi-instrumentalist/ vocalist) and Saving Grace.


They’re giving away the new single This Wonderful Life for FREE [direct link]  through Triple J Unearthed and to celebrate they’re releasing a set of free videos about the creation of some of their favourite new tracks via Mind Over Matter TV. 





Briggs – So Dangerous EP feat. Trials OUT NOW!

12 12 2010

Briggs new single So Dangerous is out now on iTunes.

Not only does Trials of the Funkoars contribute vocals to So Dangerous he also put together a remix exclusively for the single release. A filmclip for the single will follow in February, until then you can get So Dangerous by clicking here.

From the moment Briggs dropped his self-released debut EP, the brilliant and groundbreaking Homemade Bombs (2009), it was obvious to everyone that this marked the arrival of a powerful and unique voice on the scene. His indigenous roots and his rural upbringing in the small country town of Shepparton (Victoria) gave him a perspective like no one else. Powered by a rapid-fire, melodic, direct approach, Briggs was as funny as he was deep.

It was this rare combination of characteristics that lead to him being embraced by some of the wiser and more experienced heads in the local scene. The newcomer was invited to open for the likes of Adelaide’s Funkoars and Perth’s Drapht; this was followed by a spate of support slots for visiting international artists including Necro, Ghostface Killah, Dilated Peoples, M.O.P. and Pharoahe Monch.

Then came a great opportunity – the opening slot on a sold-out national tour with the Hilltop Hoods. The Hoods instantly connected with Briggs and were so impressed by his performance they took him along on their 2009 European tour, and eventually offered him a home at their fledgling label Golden Era Records.
All this has paved the way for the imminent release of his debut album, The Blacklist. While Homemade Bombs gave us a taste of what he can do, The Blacklist is nothing short of brilliance. It’s a genuinely unique symphony of words, thoughts and sounds that have the potential to propel him onto the national stage overnight. The album features a plethora of bangers but the standout by far is the breathtaking lead track The Wrong Brother. Briggs got a bit of help making The Blacklist from a few of his hard-hitting colleagues. The production genius behind Homemade Bombs – namely Jaytee, 76 and the Funkoars’ Mr Trials – are back at it again, but this time they’re joined by the likes of Suffa, Merlin The Wizard, Pokerbeats and Kelakovski. Guest vocalists include Hilltop Hoods, Trials and Dylan Smith (of Direct Influence).

Who can guess what’s gong to happen once Briggs drops The Blacklist? All we know for certain is that it’s going to make you laugh, jump and possibly seek medical attention.

For the month of December Golden Era


Purchase Briggs So Dangerous EP feat. Trials here.

Golden Era Records





Interview with Eloquor about his new album ‘Charge’

29 06 2010

Charge is the title to your highly anticipated second LP release, after the successful debut effort on Move Up. Whats  been the biggest change for you personally and musically going into the making of Charge?
I guess I was much more picky with the beats I chose for Charge. I really tried to get as many beat reels together from as many strong producers as I possibly could to get the sound I was after. I also got to hypeman for Briggs on the Hilltop Hoods tour last year which definitely influenced my perspective on how I wanted my music to grow.

We’ve heard the whole album and it seems like another win for hip hop in Australia. What’s it been like earning the support of Obese Records and obviously those from within the hip hop community?
I’ve busted my arse for many years to generate a strong support network. It has not at all come easily or quickly. That being said, having Obese Records, my manager, publicist, engineer, producers and other significant individuals backing me up and giving me a chance, has made it possible for me to make this album the best it can be. It’s very hard to get anywhere in this industry without a strong team behind you, with people who believe in what you do.

The album features production from some of the biggest names in the business most noted M-Phazes and Jase, but also WIK and Pokerbeats who both deliver some heat on their respective tracks. We’ve heard around the traps that the beats for this album cost about a million in cash is that true or just an unfounded rumor?
Very close to a million in Cash, you’re not far off at all. No wonder I work 2 jobs to make this album happen!

We found that Charge strikes that perfect balance between the party type tracks like ‘Rap Star’ and ‘Berroca’ and also the tracks that get a little more philosophical in their approach like the lead single ‘Keep On’ and ‘Pressure’s On’. Did you go into this album with that as a mission in mind?
I actually started this album thinking I wanted to make an album full of soul sampled bangers. I listened to a lot of Common and Nas while writing, and wanted to make an album that is very Hip Hop without straying in to the realm of electronica or hip pop. Eventually I just picked beats which evoked an idea, story or emotion with me, and went from there.I just think its important for artists to produce work which is honest to who they are. I’m quite a philosophical person so I have to write about issues and ideas which circulate in my mind. Not all my songs are deep and thought-provoking, some are there to have fun and enjoy without the audience having to analyze too much.

You have been described as a ‘hip hop poet devoted to uplifting the community and a teacher to those less privileged’ We’ve also heard you’re a very active person with-in your local community. As an artist, do you feel a sense of responsibility to those who are less privileged?
Well I am a teacher at a community school which educates mostly disadvantaged youth, and I have been volunteering in St. Kilda for 10 years as a boxing coach and gym instructor so I feel a great sense of responsibility to the people in my community to accurately represent the stories and day-to-day goings on. My music is very personal but it is not exclusively about me. It’s about the time, place and people who make this life what it is. The last 2 tracks which are about my daughter (‘Daddies Girl’) and my late Grandma (‘Like the Clouds’), who I dedicate this album to, represent that celebration of life.

We think the albums excellent, great choice of beats and killer rhymes. Any word on the album launch or tour?
Thanks. Album launch will be in Melbourne at Revolver Upstairs on July 30th. We’re planning a tour after that but want the album to get out there before making any solid arrangements.


Pre Order Eloquor – Charge here: http://www.jbhifionline.com.au/music/urban-grooves/charge-signed-copy/527716


1. Charge is the title to your higly anticpated second LP release, after

the successful debut effort on Move Up. Whats  been the biggest change for

you personally and musically going into the making of Charge?
I guess I was much more picky with the beats I chose for Charge. I really

tried to get as many beat reels together from as many strong producers as I

possibly could to get the sound I was after. I also got to hypeman for

Briggs on the Hilltop Hoods tour last year which definitely influenced my

perspective on how I wanted my music to grow.

2. We’ve heard the whole album and it seems like another win for hip hop in

Australia. What’s it been like earning the support of Obese Records and

obviously those from within the hip hop community?
I’ve busted my arse for many years to generate a strong support network. It

has not at all come easily or quickly. That being said, having Obese

Records, my manager, publicist, engineer, producers and other significant

individuals backing me up and giving me a chance, has made it possible for

me to make this album the best it can be. Its very hard to get anywhere in

this industry without a strong team behind you, with people that believe in

what you do.

3. The album features production from some of the biggest names in the

business most noted M-Phazes and Jase, but also WIK and Pokerbeats who both

deliver some heat on their respective tracks. We’ve heard around the traps

that the beats for this album cost about a million in cash is that true or

just an unfounded rumor?
Very close to a million in Cash, you’re not far off at all. No wonder I

work 2 jobs to make this album happen!

4. We found that Charge strikes that perfect balance between the party type

tracks like ‘Rap Star’ and ‘Berroca’ and also the tracks that get a little

more philosphical in their approach like the lead single ‘Keep On’ and

‘Pressure’s On’. Did you go into this album with that as a mission in mind?
I actually started this album thinking I wanted to make an album full of

soul sampled bangers. I listened to a lot of Common and Nas while writing,

and wanted to make an album that is very Hip Hop without straying in to the

realm of electronica or hip pop. Eventually I just picked beats which

evoked an idea, story or emotion with me, and went from there.I just think

its important for artists to produce work which is honest to who they are.

I’m quite a philosophical person so I have to write about issues and ideas

which circulate in my mind. Not all my songs are deep and thought

provoking, some are there to have fun and enjoy without the audience having

to analyze to much.

6.You have been described as a ‘hip hop poet devoted to uplifting the

community and a teacher to those less privileged’ We’ve also heard you’re a

very active person with-in your local community. As an artist, do you feel

a sense of responsibility to those who are less privileged?
Well I am a teacher at a community school which educates mostly

disadvantaged youth, and I have been volunteering in St. Kilda for 10 years

as a boxing coach and gym instructor so I feel a great sense of

responsibility to the people in my community to accurately represent the

stories and day to day goings on. My music is very personal but it is not

exclusively about me. Its about the time, place and people which make this

life what it is. The last 2 tracks which are about my daughter (‘Daddies

Girl’) and my late Grandma (‘Like the Clouds’), who I dedicate this album

to represent a celebration of life.

7. We think the albums excellent, great choice of beats and killer rhymes.

Any word on the album launch or tour?
Thanks. Album launch will be in Melbourne at Revolver Upstairs on July

30th. We’re planning a tour after that but want the album to get out there

before making any solid arrangements.





Pokerbeats – Top 10 hottest tracks for 2009

13 01 2010

Producer Pokerbeats (profile here), responsible for the killer beat on the Hilltop Hoods, State Of The Art track, She’s So Ugly has sent us the above pic of him receiving a nice little thank you in the post (something we’d love to have rock up in our mail box).

Pokerbeats top 10 of 2009′s hottest tracks.

1. The Clipse – Kinda Like a Big Deal (feat. Kanye West)
2. Tyga – Cali Love
3. Jay – Z – DOA
4. Hilltop Hoods – Chase That Feeling
5. Royce da 5’9 – Gangsta
6. Slaughter House – One
7. Wale – Chillin (feat. Lady Gaga)
8. D-Block – Get That Paper
9. Raekwon – New Wu (feat. Method Man and Ghostface)
10. Mims – Move

You can vote for any of the above tracks, or pick your own in Triple J’s Hottest 100 for 2009. By doing so you could win a golden ticket to see every Triple J sponsored gig for the year. You can enter your votes here. Make sure you throw in a few hip hop tracks!





allaussie hip hop’s spotlight on: Pokerbeats

9 11 2009

pokerbeats allaussie hip hop

You may have heard the name Pokerbeats floating around the traps lately and if you have it’s for good reason. Pokerbeats is a 25-year-old hip hop producer from Regensburg, Germany (around one hour from Munich for those geography heads). Pokerbeats has worked with variety of artists in a variety of locations from Austria, Switzerland, Japan, America and more of late Australia.

For someone who lives so far away he has been working with some big names in the Australian scene. Pokerbeats first hit the aussie shores after he did a beat for the Hilltop Hoods track She’s So Ugly, which featured on their platinum album State Of The Art. Now he is working with several Australian crews and producers such as Briggs, Muph (new album on the way??), Mind Over Matter and many more.

There has also been interest from a few crews on twitter including Choose Mics and Urthboy.

If you’re interested in working with the man himself, hit him up at the following places. Twitter or MySpace.








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