Interview: Kings Konekted – Class, Corruption & The Campaign

15 05 2013

Kings Konekted garnered a cult following among fans and hip hop luminaries alike with their 2009 pre-album release Trails to the Underlair. Looming at the edge of the underworld’s shadow, Kings Konekted are now passing off copies of their debut EP The Campaign under a jacketed arm: six tracks of street corner discussions and heavyweight production by Stricknine, Prowla and Trem.

Kings Konekted Campaign cover

aahh: The Campaign is a relentless 6 track appetiser to the highly anticipated full length album Corrupted Citizens, due later in the year. Did you think it was important to get some new music in to the hands of the heads before the new album was released?
Kings Konekted: Definitely, we had already recorded most of those joints & written to them a year or so before, so those particular tracks weren’t really fitting the cohesiveness of Corrupted Citizens in terms of the sound. The E.P seemed the perfect solution for something in-between, and once we heard those 6 tracks together it sounded correct. Trem, Prowla & Stricknine on the production blended like a fine wine.

aahh: How would you describe the tone of the brand new EP?
Kings Konekted: It’s a very concentrated and controlled overall sound. We wanted the sound of the campaign to compliment the lyrics and their approach. It’s a very serious sound. A lot of time was put into the mixing and mastering of tracks to match the raps precisely and to emphasize certain bars.

aahh: Tell us a bit about the production on the EP and who you worked with?
Kings Konekted: Well the lead single “Repertoire Strong” was handled by me (Stricknine) and the rest by Trem & Prowla who have been Class A family since 2005, when I was doing albums with Thirstin Howl and MF Grimm. Trem helped a lot with the mastering and 2nd opinions on the MF Grimm LP (2007), as did Prowla, who also dropped a beat on that album. Prowla actually did a remix for the lead single/12” “5 Finger Discount” from the Thirstin Howl III & Rack-Lo album I did in 2005 as well. So they have been watching and helping the boys craft their music since they came on board, and it was pretty much decided from day one that they would be involved and we are all forever grateful that they are.

aahh: Emcees featured on The Campaign not only include the super talented Brad Strut and Lazy Grey, we also see an appearance from US artist MF Grimm. In your own eyes what was it that these artists brought to the release
Kings Konekted: Each guest brings the correct product to the table, most of the guests had our verses to reference the tone. It definitely provided a lot more versatility to the overall sound. And again – Lazy, Grimm and Strut are also considered family with us, so even though they are feature MC’s and feature producers on this EP they are all part of the crew and you can expect to see us working closely in the future.

aahh: The video clip for Repertoire was cut with the track Good Blood & Hand Shakes, what was the concept behind that decision? 
Kings Konekted: The concept for the clip arose as to not having decided on a single to release. Strick came up with the idea based on an old clip from GZA (Wu Tang). He did the same and used 2 tracks in one clip (Shadowboxing/4thChamber). That clip in turn gave birth to the idea that we could maybe blend two tracks. Originally we only planned for it to be a promo, but once we started brainstorming, the idea with a storyline was incorporated and it grew from there. We approached Heathen Steelburg to help with the camera work and capture our ideas. It really just fell together in our favour.

aahh: Tell us a bit about how you all became involved in the hip hop scene?
Kings Konekted: We had all been playing & listening to rap since early primary school days, though our (Culprit & Dontez) first encounter with the Brisbane scene really came about through the graff writers. We’d herd Lazy’s “on or off tap” later in 2000 which really grew on us. Other writers & crews were talking about lazy doing shows in Brisbane so some of our older brothers took us along and that’s were it all really started. We had no ambitions of being on stage at that time.

aahh: Can you give us any details on the upcoming album, Corrupted Citizens. Will it follow in the same tone as The Campaign EP?
Kings Konekted: The CC Album is a matured version of our original sound. It is definitely a different tone to that of “The Campaign”. It’s deep, its funny, its intense, its vivid & somewhat a lot more versatile. It’s a documentation of Culprit & my life through the last ten years all on one album. It touches on a range of emotions and is geared for our listeners to relate. We have put everything we had on every verse, every beat and every aspect of this album.  

aahh: You’ve recently signed to Class A Records, home to such artists as Thirstin Howl & Rack Lo, MF Grimm, Chino XL and more. What does it mean to you as a crew to sign with a label that has quality artists such as these?
Kings Konekted: To be on board Class A is an honour. It’s an important move who you work with and we’re happy with how were progressing. Quality music is our priority and we all correspond with that. We certainly work at different paces but we all stay focused. There is a lot of expectation to live up to both under the name Class A and Kings Konekted, and we don’t let it slip our minds.

aahh: You recently played ‘Stand Up’, in your hometown of Brisbane. What was that like?
Kings Konekted: Stand Up was an indicator of growth amongst the Australian scene. The crowds now are from all walks of life, which we think is  a positive. The Scene needs to go through this period in order to grow. The night for us was a true success. All respects to the organizers (469 Underworld) for making this happen. It was an honor to grace the stage with so much talent. Tom Thum is a maniac performer who really shines when he is live. Lazy Grey just gets better with age, a true master of ceremonies, he was so clear and precise you can really see his experience in vocal control. We were lucky enough to open the KK set with him & that’s a moment we won’t forget!

aahh: Will we see some vinyl coming out of the Kings camp soon, and how viable do you see the vinyl industry in Australia? 
Kings Konekted: Vinyl is definitely happening for the E.P that is being pressed as we speak. We should have more details over the next few weeks which we will announce via http://www.classarecords.com and our social networks etc. Vinyl at present seems to becoming popular again, even JB Hi Fi is asking us for vinyl now, it’s a pleasure not many are willing to part with, its done a complete 360!

aahh: Speaking of vinyl you guys worked with Trem on his FTTOHNL record. What was it like being apart of the select few artists who got up on that record?
Kings Konekted: To be honest it’s still sinking in. It was really just a blessing, Strick had already established connections with Trem and he had sent him some of our demos. Trem was very realistic with his feedback which lifted us to push out better verses. He was hearing our progression over the years i guess and we got stronger lyrically and live. We later got to meet and that forged a friendship. It’s crazy to think we were young fans going nuts on the early LC stuff and are now working so closely with him.

aahh: Do you guys expect to tour the country with the LP, and if so where would you guys like to take the record?
Kings Konekted: Well we have locked in a few more shows for June/July. We are playing in Brisbane again with Masta Ace & Marco Polo (Sat – June 15), and we are also playing in Melbourne with Brad Strut (Fri – July 12) which will be a massive double headliner! And we have almost locked in another headline spot for Sydney (Sat – July 6). And we are still waiting to hear back from Trem about a full Aus tour with him which will be amazing for all involved. But that hasn’t been confirmed yet…

Purchase  ||  Facebook  ||  Twitter  ||  Class A





Kings Konekted – The Campaign

2 04 2013

Looming at the edge of the underworld’s shadow, Kings Konekted pass off copies of their debut EP The Campaign under a jacketed arm: six tracks of street corner discussions and heavyweight production by Stricknine (Thirstin Howl, Tim Dog, KRS One), Prowla  and Trem. These are tales of treachery, trust and hidden malefactions conducted in broad daylight.

Kings Konekted Campaign cover
Partners in crime from an early age, Indigenous Australian/Italian Dontez and Serbian/Australian Culprit forged their bond through exposure to the self-perpetuating cycle of violence and crime devouring the western suburbs of Brisbane. Bearing witness to a crumbling community, Kings Konekted illuminate the visceral, ugly reality that passers by prefer to ignore. Theirs is a world hidden in plain sight; one ruled by a code of silence, dirty money and thirst for respect. 

Production of The Campaign is handled by elder statesmen Stricknine, Prowla and Trem. Standout tracks include the frenetic Repertoire, hostile opener Good Blood and Handshakes, and the intricately layered Debts and Conflicts.

On lead single Repertoire, Stricknine weaves layers of ominous strings and an urgent harpsichord loop through thick drums and a foreboding bassline. Dontez delivers a ferocious rebuke, setting the stage for Lazy Grey’s scalding feature, thick with cultural references that only a veteran can deliver. Culprit’s final verse is a searing warning to pretenders to the throne, with Stricknine’s precision cuts demonstrating his trademark flair for sample selection.

KingsKonekted4
“It’s the winners, losers, beggars, choosers, innocent and guilty, dealers and the users: we’ve sewn up this industry and started from a thread.”

The sinister atmosphere of Good Blood and Handshakes, followed by the sharp ambush of The Round Table (feat. Brad Strut) displays Prowla’s cavernous and impenetrable production at its best. ‘Secular Security’ (feat. MF Grimm) draws us inexorably towards The Campaign’s standout, Repertoire. Typically refined and densely layered production from Trem on The Standard and Debts and Conflicts brings the EP to a chilling close, with Stricknine’s cuts slicing to the bones.

Kings Konekted garnered a cult following among fans and hip hop luminaries alike with their 2009 pre-album release Trails to the Underlair  They are the only Australian group to be signed to Class A Records, whose alumni include MF Grimm and Thirstin Howl III, and were the only up and coming artists featured on Trem’s seminal For The Term Of His Natural Life LP.

The Campaign will be released nationally on CD and iTunes on April 19. An extremely limited run of vinyl will be available for online pre-orders and in selected independent stockists. Kings Konekted will tour with Trem for his national album launch in 2013.

Facebook  ||  Soundcloud  ||  Class A Records





Johnny Idem & Ron Rugged

22 03 2013

Johnny “Idem” Crates & Ron “Madhat” Rugged originally 2/3 of the 1990 Melbourne Hip-Hop crew Positive Direction. Idem was about to release an album with Trem in 1995 but was never completed but produced 3 tracks on Prowla’s first tape in 1994 and produced Raise’s album – The Essence in 1996 for Nuff Said Records

johnnyidemandronrugged_zpse45daa38

Also releasing 10 breaks samples LP’s out on vinyl which went worldwide. In 1992 Ron made a link with Shan Frenzie for a multitude of live shows and tracks. The two later joined with Melbourne’s own Code of Ethics (MC Pluto and his producer Blackout), to create the group Acapulco Gold.

After a couple of tours to Brisbane Ron then also joined forces with Lazy Grey & DJ Damage to become part of the crew known as Towering Inferno. Who went on to perform at many live shows in Brisbane. Idem & Ron have teamed again up since 2010 and are back on track with the release of their self titled album Johnny Idem & Ron Rugged. A combination of underground beats, cuts and rhymes for the true school. CD available at all good underground record stores nationwide, with digital distribution handled by Obese Records.

Track Listing:
01. Theatrical Entrance
02. Back On Track
03. Territory
04. The Big Smoke
05. Ahh Yeh
06. Footprints Feat. Reason
07. Scribble It Down
08. Predictions
09. Check It Out
10. Bringin It
11. I B Diggin
12. Beats & an Emcee
13. Spirit Box
14. Crazy Raw
15. System Breaker
16. Shayla Says

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Xidus Pain (UK) & Johnny Crates (AUS) – Crates of Pain LP

6 06 2012

Crates Of Pain is a raw uncut hip hop album entirely produced by Melbourne’s Johnny Crates, starring the premium writing abilities of Xidus Painfrom the UK. Featuring guest spots from songstress Renee Soul on Know The Way and cuts by Peterborough DJ, beatboxer and producer Shure Fya, who blesses the album with some prime cuts on Pen Play, Play Pen as well as Game Genie.

The track Game Genie is a packed with countless double entendres and metaphors over smooth hypnotic beats. The concept of the track is based around the old school game Genie Converters for Sega Mega (Genesis). The game genie enabled the player to cheat through a varied sequence of codes, due to the track been written in a complex sequence, the listener can decipher the codes, or just take the song on face value.

This project came about after UK rapper Xidus Pain (a member of Chess Move Cartel crew and Guerrilla Republik) was given the beat album Diggaz For Life by Dr Shrink & Idem, after which Xidus wrote to one of Idem’s beats.

Melbourne hip hop producer extraordinaire Johnny Crates, previously known as Idem, has a rich history with Australia’s underground elite hip hop artists which dates back to the ’90′s. Including working alongside the likes of Prowla, Trem, Raise, as well as fellow Positive Direction group members Seany B (also of The Statesman) and Ron Rugged. It has been 15 years since his last collaboration with an emcee.

The beauty of Crates of Pain lies in its variation of styles, each song is approached differently, yet still manages to blend well. Whether you’re a hip hop head or not, the wordplay, beats, and unique fusion of two very different artists, will have your head nodding.

Track List:
Intro
Pen Play, Play Pen
Best Kept
Xp’s Windows
Bargain Bars
Know The Way – Feat. Renee Soul
Where Im From
Game Genie
Well Formed
Know Pain, Know Gain
Hamik Track
Reflective Txt
Pain Relief
Piece Of Mind

Out today through Immortal Music. Distributed by Obese Records.

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Trem – For The Term Of His Natural Life (Official Listening Party)

6 10 2011

In a time capsule unearthed in an overgrown train yard on the outskirts of Melbourne, archaeologists discover a dirt encrusted artefact, a codex of the art and science of hip hop based on a blueprint etched in concrete during a period of innovation. It bears the marks of the late 1980s and early 90s when the elemental standards were laid down by a small elite.


The artefact in question is For The Term of His Natural Life, the debut solo LP from Australia’s finest lyrical craftsman, Trem One. To say début is misleading, though. With a small but revered discography including two sought after vinyl EPs and his work with the Lyrical Commission on his own Unkut Recordings label, Trem is an elder statesman. Finally, For The Term… makes good on all the promises of his back catalogue. Following up on 2010’s rapturously received teaser single Omega Man, this project hits every target set for it.

From 6-9pm tomorrow night in Fitzroy Melbourne, you can take part in something that’s usually only available to the industry heads, an Official Listening Party for Trem’s – For The Term Of His Natural Life. These words were posted on Trem’s website  a few days ago.

“We takin it back with this one, but its something I always thought was a cool concept although generally initially catering to industry heads, why not flip it on its ear and invite everyone? The first of a series of listening parties, we are kickin off the album release festivities with a bang.
Melbourne heads & touring interstaters, please join us at the Laundry Bar in Fitzroy on Friday the 7th Oct. between 6-9pm to help celebrate the release of this thing! Regardless of whether you’re an industry type, Trem fan or street urchin we’d love you to come along and help celebrate such a momentous occasion!
I’ll be offloading the album as well so if you havent had the opportunity to secure a copy via pre-order and can’t hit up one of the dope Indy spots stocking it on Friday, I got you covered (while they last of course!)
We’re also screening the first viewing of my new clip ‘Animal Kingdom’ a track produced by non other than Beat Butcha, featuring Donny The Chief of my Kings Konekted fam and executed by the Game Changers (Josh, Heata n Hank)! It’ll screen live to air on youtube as well round the same time but what better way to peep it than on the big screen! So if you’re free, on your way home, or on your way out, we’d love to see you there, the Laundry’s even offering half priced longnecks to kick the weekend off in style…”

There will be a couple of Listening Parties taking place over the month of October. Brisbane and Adelaide outdoor dates to be confirmed in the next few days. Stay tuned. If you haven’t already check out our recent interview with Trem on his For The Term Of His Natural Life album release right here. Trem – For The Term Of His Natural Life is out tomorrow.

Unkut Recordings  ||  Trem One   ||  Twitter  ||  Interview Link





Trem – For The Term Of His Natural Life

22 09 2011

In a time capsule unearthed in an overgrown train yard on the outskirts of Melbourne, archaeologists discover a dirt encrusted artifact, a codex of the art and science of hip hop based on a blueprint etched in concrete during a period of innovation. It bears the marks of the late 1980s and early 90s when the elemental standards were laid down by a small elite.


The artifact in question is For The Term of His Natural Life, the debut solo LP from Australia’s finest lyrical craftsman, Trem One. To say debut is misleading, though. With a small but revered discography including two sought after vinyl EPs and his work with the Lyrical Commission on his own Unkut Recordings label, Trem is an elder statesman. Finally, For The Term… makes good on all the promises of his back catalogue. Following up on 2010’s rapturously received teaser single Omega Man, this project hits every target set for it.

Long-awaited doesn’t being to describe Trem’s first full-length, but the notorious perfectionist was never going to release anything less than a flawless gem: “I could’ve dropped varying versions of a solo album many times over, but it wouldn’t be this one. This is the one that I envisioned.”

Having fine-tuned his production chops on two Lyrical Commission releases and Brad Strut’s acclaimed Legend: Official, Trem now steps back from the boards somewhat, producing three cuts himself and inviting Beat Butcha (UK), Amazing Maze (Germany), Thorotracks (NYC), Must, Wik and long time compatriot Prowla to contribute to the soundscape. The result is a coherent 14-tracker that evokes the early nineties with a reactionary vigour. For The Term… exploits the prototypes of finely crafted braggadocio, visceral storytelling and the art of metaphor epitomised by MCs such as Rakim.

Beyond the razor sharp battle verses, the rush of the mission is depicted on the vivid graf narrative Hard Yards and Trem talks like sex on the sticky and lewd Strips. Elsewhere, Ever Since and Reminisce trace the roots of his career back to the 80s while Kings Court is a time-honoured ode to skills over suitably regal beat from Prowla.

Throughout the album, artfully collaged vocal snippets are deployed in the place of a hook by Prowla, DJ Bonez, DJ Dcide and Trem himself. Moreover, Trem breaks down the fading science of crate digging and chorus cuts alongside a masterful example of the latter from California’s DJ Revolution on For The Record.

Complementing the painstakingly composed verses and carefully considered cuts is an equal precision in selecting guests. Brisbane’s Kings Konekted is represented on two tracks, with the group’s Dontez providing the menacing chorus on second single Animal Kingdom. Both Dontez and Culprit commit verses to Russian Roulette, which also features Brad Strut. This grim and epic centrepiece to the album could be read as a passing of the torch from Lyrical Commission to one of the few new names worthy of carrying the flame.

Speaking of the rare collaboration outside his core crew, Trem notes: “I personally think they have the makings of something real special, but for whatever reason don’t seem to get the recognition of other new schoolers with half the talent. Konekted have crafted a mad original style that’s all they’re own but still sits within the blueprint’s guidelines.”

Another unexpected collaboration is a dream match up with Brisbane’s own old hand Lazy Grey on the vicious Vet Clinic, an interstate exercise in amateur euthanasia. In Trem’s words: “Collaborating with Lazy has been on the to-do list for a real long time and for various reasons it never eventuated. After tinkering with the idea for a while during the album’s making, it wasn’t til the right beat landed in my lap that I thought, shit, that’s the one! I am truly honoured to have the god on board.”

In a final surprise, lead single Omega Man is reprised and flipped with help from Brooklyn’s Q-Unique (ex-The Arsonists, and a guest on Lyrical Commission’s – Murderous Metaphors) and a fresh verse by Trem: “Being that there was a chunk of time between the single and the album I wanted to give it some new light. Instead of a traditional remix, I let that ill Prowla beat ride and rehashed my verse, adding a new dimension. Re-acquainting with Q on the track was a no-brainer.”

The sum of these parts is equal measures history lesson, skills seminar and classic storytelling. For the Term of His Natural Life is the culmination of twenty years of hard labour, an unapologetic exercise in hip hop artisanship that steps outside of time to take its rightful place in the Antipodean rap canon.

For the Term of His Natural Life will be available through independent records stores, directly from www.unkutrecordings.com and digitally via iTunes.

• Commencing with the album release, a Limited Edition Artist Series of merch will drop, each linking a leading Australian graffiti writer with a song on the album. Linz, who also painted the album cover, tackles ‘Kings Court’ for the debut t-shirt. Next up, Sofles will handle ‘Strips’, with later editions to be announced.

• A video for the second single ‘Animal Kingdom’ featuring Dontez of Kings Konekted, will drop to coincide with the album release, executed by Josh Davis, Heata and Discourse, who also delivered the stunning high definition clip for ‘Omega Man’

Tracklist
1. Intro ft DJ Revolution
2. For the Term of His Natural Life
3. Animal Kingdom ft Dontez of Kings Konekted
4. Omega Man
5. One man… (skit)
6. Ever Since
7. Hard Yards
8. Russian Roulette ft Brad Strut & Kings Konekted
9. Strips
10. Intermish (skit)
11. For the Record
12. Vet Clinic ft. Lazy Grey
13. Reminisce ft Brad Strut
14. A king is… (skit)
15. Kings Court
16. Same Shit
17. Naaaaahhh… (skit)
18. Omega Man Mk II ft Q-Unique

RELEASE DATE: 7 October 2011 

Unkut Recordings  ||   Trem 1  ||  Twitter





allaussie hip hop spotlight on: Motion

3 02 2011

Motion’s involvement in hip-hop began when he hit the scene as a B-boy in 2000. Once realising his skills in freestyling and lyricism, he entered the battle circuit and won virtually every battle held in Adelaide over a 2 year period, winning SA’s MC Battle For Supremacy and ending up as a runner up nationally in 2005.

Motion is a part of Adelaide favourites Adroit Effusive, an 8 man crew that has been active since the early 2000s. He released a demo with fellow Adroit member Bornski called Introducing in 2003, and Adroit soon followed up by releasing the 2 part vinyl EP collection which included crowd favourite Moeshzilla & King Kongseps. The crew recently completed and released The Album, their first full length CD. Motion’s solo joint off The Album has since been nominated for Ozhiphop.com’s Best Track of 2010.

Motion has been involved in music with some of the country’s best and most well known. He was personally recommended for work by the UK’s Mark B and Adelaide’s Delta, landing him a spot on the diabolical 2006 posse cut The End Is Here, featuring Prowla (Nuffsaid) and Trem (Lyrical Commission). His verse was compared to Nas’ first appearance on the Main Source classic Live At The Barbeque. Motion was the first MC to feature on the original Battlehoggs tapes alongside Conseps, inadvertently naming the crew. He recently recorded two standout verses for Dialect & Despair’sThe Vortex, which has been dubbed classic by Australian media and fans alike.

Motion is not only recognised as a talented recording artist, but as having undeniable stage presence. He has stood tall when performing across the globe with names such as Masta Ace, The Beatnuts, Edo G, DJ Premier, Kool Keith, Delta & Mark B, Dedlee, Lyrical Commission, Jehst and Def Wish Cast; amongst many others.

Motion is currently working on The Motion Picture, his debut LP. Due out in 2011, the album is already highly anticipated, being spoken about by some of Australia’s current biggest names. Featuring production from Delta, Simplex (Terra Firma) and P-Body, The Motion Picture is sure to find its place as an Australian classic. In the meantime, you can check for another solid Motion guest verse on Simplex’s solo debut Audio Biography.

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Trem – Omega Man Video

17 12 2010

Trem from Lyrical Commission has just dropped his new single from his forthcoming For The Term Of His Natural Life. Trem released the underground classic Sheer Talent EP in 1998 but put out no more solo efforts since, making this new album Trem’s debut LP.



“We from a lost land, where the clock’s hands is stopped, before the rot set in, before they shot Scott La Rock, before the shops stocked rap in a section called urban, and every third person’s thinking they’re word surgeons.”
If one man in Australia embodies the mantra of quality over quantity, it’s Melbourne emcee and producer Trem One. His decade-long discography encompasses two sought after white label 12”s, two releases with his crew Lyrical Commission, production, raps and oversight on fellow commissioner Brad Strut’s solo releases and a small handful of carefully selected guest verses and production credits. This austerity, combined with the precision of his astute lyricism and economical production has given mythical status to his long-promised, elusive solo album.

Representing the increasingly rare school of hip hop that never lost focus on the art of tightly wound wordplay and devious multisyllabic rhyme schemes, Trem finally unleashes the first salvo from his debut solo full length For the Term of His Natural Life.
With exceptional lyrical craftsmanship on display across two murderous verses, the lead single Omega Man finds Trem the last man in a dehumanized, plasticized wasteland, accompanied only by raw, plaintive production from another elder statesman of Melbourne hip hop, Prowla. Recalling a time when the music’s core building blocks were hallmarked by gritty simplicity and unrelenting verbal ballistics, Omega Man is vintage Trem. For aficionados of true school hip hop, it’s a welcome entry in an almost flawless catalogue.

Packaged with a high quality AAA Alstyle t-shirt featuring the brand new Trem One logo, the strictly limited CD release with vocal, instrumental and acapella versions of Omega Man will be available from www.unkutrecordings.com and selected stores across Australia from December 17. The tracks will also be available from iTunes.
For the Term of his Natural Life is due early 2011 on Unkut Recordings and will feature production from Trem, Prowla, Beat Butcha and more.

TRACKLIST
1. Vocal
2. Instrumental
3. Acapella

Produced by Prowla
Cuts by Prowla
Recorded & Mixed by Trem
Mastered by Joe Carra @ Crystal






Trem One – Omega Man [Single artwork]

2 12 2010

Born and raised in inner west Sydney till the age of 13 before re-locating south to the boon-docks of G-Town, an hour south west of Melbourne, Trem, like most in his age bracket and on this part of the planet, gained his first look at hip hop through movies such as Beat Street and books like Subway Art in the early eighties. Instantly falling in love with the phenomenon he dabbled in floor moves before turning his hand to graff.

As a member of the Australian leg of a worldwide graffiti crew Run For Kover (originating in the U.K), Trem managed to cause his fair share of damage before making the slow transition from paint to microphones. Rhyming over ‘pause tapes’ in and around 1989, inspired by not only his favorite U.S artists, but also local talent such as the A.K.A Brothers, Trem had built a repertoire of battle raps and was showcasing them live and on recordings by 1990. After hooking up with DJ Frenzie, he and Raise (R.F.K co-founder and his rhyming partner at the time) went from strength to strength, showcasing their skills across Melbourne, at shows and on live-to-air radio.

With Raise leaving the country, Trem emerged as a solo M.C, and after hooking up with DJ Idem, initial plans were put in place for the recording and release of his first official-a six track tape in 1992. Unfortunately the tape was never completed and the one finished track Arrest My Brain never saw the light of day. Although continuing to build ‘n’ develop skills and still regularly appearing live at shows and on radio throughout the mid nineties, it wasn’t until Trem formed an alliance with Prowla and Jase of the Nuff Said Crew, that recording would eventually begin on his first actual solo release.

Sheer Talent, released on Unkut Recordings, an independent label formed by Trem and Rob Ettelson, was a limited edition, four tracks, plus instrumentals 12” that certainly showcased Trem’s lyrical ability, atop slow, bass-line heavy bangers. Closely followed by his highly sort after second 12” Amateurs, that delivered more of the same. It was during this time that Trem and his team devised the ‘super-group’ Lyrical Commission, equipped with an arsenal of raps, they tore apart mic’s and stages across Australia, and have since gone on to become one of the most reputable underground Hip Hop acts to emerge from the continent.

With two incredible landmark releases under their belt and some awe inspiring collaborations with the likes of Ex Arsonist front-man and Uncle Howie recording artist Q-Unique as well as The Grand Daddy Grenade himself- Celph Titled (Demigodz/AOTP fam) the crew solidified its rep not only on these shores but also garnering acclaim in certain pockets across the globe. Not content with making his mark as top M.C, since 2001 Trem also extended himself to the beat making game in a major way.

After cutting his teeth as a co-producer/engineer on all of his earlier solo work, and being entirely responsible for the beats behind both L.C classics The Stage Is Set and Murderous Metaphors as well as 4/5 of Brad Struts sophomore offering Legend:Official, It aint hard to tell he’s gone on to become as equally prevalent behind the boards as he is in the booth. His production has also begun to emerge on artists projects not tied to his label, giving that raw boom bap L.C flavor to varying emcees and their projects.

His eagerly anticipated full length L.P is on its way, with a release date due in the not too distant future.





Kings Konekted – Trails to the Underlair: The Prequel

16 09 2009

KingsKonekted allaussie hip hop

I have to say we have slept a bit on this release.  So to make up for it were giving you a bit of a post from the guys myspace page. There has been a great response from everyone who has peeped this album and for a mixtape release, we think it’s a huge effort. The buzz on ozhiphop.com has been huge and some big head including 360 think these guys are ‘fucking good’.

If your well familar with Kings Konekted you can catch the guys in Fortitude Valley, Queensland, at the Junilee Hotel October 24th. Prue Product, Vapor Ink and Demolition Cru are the special guests.

After releasing albums from international artists such as MF Grimm, KRS-One & Thirstin Howl III, Queensland-based Class A Records, in association with Toaster Entertainment, is proud to present its first all-Australian product: the debut street album from Kings Konekted.

Trails to the Underlair: The Prequel announces the arrival of two young but supremely talented MCs, Dontez and Culprit, who flex rhymebooks full of wordplay to immediately captures the listener’s imagination. They are backed by established DJ/producer Stricknine, who has no doubt about the skills of his protégés. “Out of all the people I have worked with, from New York to LA to the UK, I can honestly say these guys are on the same level as the best I have produced for,” he says.

These MCs don’t waste their breath on empty boasts. Dontez and Culprit have been working together since their early teens to perfect their craft. Since joining forces with Stricknine in 2006, they have been working tirelessly in Class A Studios and the results appear here and on their forthcoming official album. Their intricately structured rhymes are deeply personal, strikingly insightful and at times brutally dark. On The Prequel, Dontez and Culprit show a cutthroat mic style that has echoes of Melbourne pioneers Prowla and Lyrical Commission, but demonstrates a realm of experience that is entirely their own.

Stricknine
has been touring and producing since long before launching Class A Records in 2003. He produced the majority of MF Grimm’s 2007 album The Hunt for the Gingerbread Man, a concept album that was hailed an instant classic in reviews from the Source and XXL, where it received higher ratings than Nas’ Hip Hop Is Dead and Eminem’s Re-Up mixtape. It scored heavy airplay worldwide, including regular rotation from tastemaking stations such as New York’s Fat Beats. The lead single “Earth” reached number 1 on both the Rapattacklives and Rapnetwork charts while the album made it to 13 on the CMJ album charts. Stricknine has also created beats for Blaq Poet, Celph Titled, Kool Keith, Thirstin Howl III and many more.

More than just a mixtape, Trails To The Underlair: The PrequelLyrical Commission’s acclaimed beatmaker Trem and KingsKonekted’s own Dontez, whose remix of the Brad Strut/Lyrical Commission heater “Bounty Hunterz” held its own against mixes from international talents like M-Phazes and Jehst on Strut’s Rejuvenation remix album.

Kings Konekted have torn up stages with the world’s best, Lord Finesse, Masta Ace, Necro, Planet Asia and Roc Raida, as well as the cream of the Australian scene. On more than one occasion as support act, they’ve had a bigger crowd on the floor than the headliner. They’ve now recorded with some of the most vital artists in the world today, including Blaq Poet, Ty Nitty, MF Grimm, Pumpkinhead, Brad Strut, Prowla, Trem and Ciecmate and Newsense.

With the official debut album Corrupted Citizens being fine-tuned in the studio by Stricknine, the rise of Kings Konekted has just begun. Trails of the Underlair: The Prequel is a taste of what’s to come.








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