Cam Bluff Interview: Real Beats

3 05 2012

After both artists had been doing their own things respectively, (Cam Bluff & 4thVegas Aces linked up officially mid 2010 and have been creating buzz ever since. The two have been crafting their sophomore EP at the same time as well as trail-blazing the live show circuit with many incredible acts such as Spit Syndicate, Illy, 360Seven and Mr Hill just to name a few.

We hear that Vegas Aces will be aiming to release a free EP at the end of the month, can you tell us a bit about this project?
Well this project has been in the making for the last 8 months. Its going to consist of 7 tracks and will be dropping May 7 for free download. Its going to be called Departure. We came up with the title after we noticed the change in the way we where making music. It refers to departing from what people know our sound as. We want to show people that we can be diverse. The last Ep consisted of the same attributes. This release is going to focus on many diverse and different aspects of todays hip hop, showcasing our talents as both artists and individuals.

The first tastes we’ve seen from this EP included the track Vs Up. Will the EP showcase a diverse range of your production styles or will it be similar to the Vs Up track?
The whole EP has a fresh, innovative, diverse approach to todays australian hip hop sound. We’ve tried to incorporate many sounds from all aspects of what makes hip hop enjoyable, same goes with the lyrics and song arrangements. You could say we have incorporated more electronic aspects to our songs.

Is there a plan for a full Vegas Aces LP?
We are currently working on an album and we are hoping for a late 2012 early 2013 release. I guess the EP will set the tone for the album.

You recently finished up touring with 360 on his ‘Boys Like You’ Tour which saw you hit a heap of stops around the country, what was that tour like?
The tour was incredible, every show brought something new to the table. It’s always fun touring with the Born Fresh Crew and we always bring it. I’ve got mad respect for 60. A lot of people neglect the fact that he is an ever evolving artist. His material is always fresh and interesting. Big things coming for the man.

While on the 360 subject, you also released the official remix of the 360 – Boys Like You. How did that come about?
I actually approached Flagrant in relation to wanting to release a remix. He mentioned this track along with a few others, though I decided to move forward with Boys Like You. We had previously released the Hearts A Mess Remix with 360 a few months prior, so I thought it would be fitting to drop this.

You’ve also started working with the ‘Business Man’ DJ Nate Flagrant, tell us a little about whats in store from this brilliant partnership?
We have a few things on the cards at the moment but can’t discuss anything just yet. We’ve been slowly branching into the US, so everyone should start to see some tracks coming out of that part of the world soon. He’s been a huge help during these last 12 months we’ve spent working together.

You’ve also got a beat EP in the works, tell us about that and where do you find the time to fit all of this in?
I’ve actually had this idea for a while now though. I’m actually going to try to drop something towards the end of the year. I might be getting some help on it from another up and coming producer, but more on that later. Man, working full-time and fitting all this in really takes it out of you.

You recently travelled over to the US. How was that experience?
The states were amazing. I initially went over my girlfriend lives there. Got to spend some time in Philly, which is an incredible city. The highlight would have had to have been NY. I got the privilege of meeting because Phat Garry (manager for DJ Premier). We met up in Headquarterz studios in Manhattan and spent the day going through the bulk amount of my beats, talking shop, and discussing the nitty-gritty of the business side of the music industry. It was crazy sitting there playing all my shit in the same room where all my influences and idols once stood and came from. 

What are your plans for the rest of the year and for the start of 2013?
I’m actually working very closely with The Tongue on his next release due out early 2013. Keep an eye out for new Spit Syndicate, Illy and Sky’high. I’ll be involved on all projects with plenty more to drop by the end of this year. I’ll also be making the move to Melbourne in early 2013 to work closer with Flagrant and to focus more on my music production and relationships with fellow musicians.

We may have asked you this briefly last time we talked, but let us know what gear you are using at the moment?
I’m using Ableton Live, Native Instruments, Novation Key 49, Akai MPC 2000xl, and a shit load of software synths and plugins.

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Vegas Aces – Interview: Gambling, Gear & Generics

3 05 2011

aahh: The history between Vegas Aces goes way back to the days when Cam was working with Publik Relationz and you (4th) were apart of Pure Product, are we right?
4th: Yeah, I started sourcing beats for the Pure Product album and got put in touch with Cam through Mr Hill and Seven (Publik Relationz) and was just blown away at his beats, even back then. At the time I think he was just 18 and had only just started making beats, so I knew he was going to be someone to watch out for.

aahh: Fast forward to 2011. We now have the Vegas Aces partnership in full swing. Tell us a little about the new EP VA All Day?
4th: The EP really just started out us making a couple of songs and seeing how they turned out – which were Boomtown Shuffle and Two Sides. We really liked the sound that was coming out so we decided to do a whole thing. Originally we were just gonna make a few songs and chuck them out for free but as we made more, some friends of ours egged us on to release it properly.

aahh: Vegas Aces is an interesting name, are you both massive gamblers or does it go a little deeper than that?
4th: Haha not at all! No gambling here – it was more so at the time there were a lot of those sorts of references in what we were doing. And the fact that we were in the same circle it was sort of ‘shuffling of the deck’ to be super-corny for us to work together. To be even more corny, it’s also a nod to Bris-Vegas. Corn.

aahh: How long how you guys been working on the VA All Day material for this EP?
4th: The actual music didn’t take that long at all. Everything on there was the culmination of Cam sending me a beat and immediately I knew what it was going to be about and wrote it in a couple of hours. If it didn’t work like that – it’s not on there. All the other behind-the-scenes shit is what took the most time. I’m pretty picky so there was a lot of back and forth tweaking etc. Sorry guys!

aahh: The depth of this EP is impressive, Are you guys strong believers in the old adage of quality over quantity?
4th: Without a mother-effing doubt! We really wanted to put out something really solid to make a good first impression. Because obviously we were a ‘new’ group we had to start from scratch again and really turn some heads to get the name out there. There are so many great acts these days you need to bring something special to the table to stand out.

aahh: What have been the some of main challenges you’ve faced in bringing this release to the people?
4th: The generic ‘being-on-a-small-label-and-lacking-a-big-budget’ one is pretty obvious as a factor. I don’t think being in Brisbane geographically is a hurdle in getting our music around the country though, for most part the scene here has been really supportive. I dunno, maybe because we started from scratch as a new group was our biggest hurdle? Hurdles have also been a pretty big hurdle.

aahh: A lot of artists talk about their influences and how it shaped their musical development. With such diverse backgrounds what were some of your early influences?
4th: I can safely say my influences now are pretty different to when I was starting out, but with that said, those early influences were very important! A few years ago I was pretty anti-mainstream which I’m sure every teenager goes through. My biggest influences overseas were probably early Eminem, Apathy, Copywrite… shit there is seriously too many to name, now I am really into Jay-Z/J. Cole, Evidence and Fashawn are getting a thrashing too, again though – waaaaaay too many to name! Locally though the biggest were Lyrical Commission, Left One, Lazy Grey + 750 and co, they made me wanna do it.

aahh: What do you think the most important aspects are to consider when constructing a track lyrically for your audience?
4th: That they can understand it and can picture what I’m saying. I find myself doing that when I write now. I more want to write shit that someone can relate to as oppose to having the most technical verse now.  

aahh: For the gear geeks out there, what kind of equipment set up do you have?
Cam Bluff: Im currently rocking my good old mpc200xl along with a m-audio key rig 49. Primarily i did start making beats on my mpc, however nowadays as i branch off into larger compositions i rely on my mpc as more as a midi controller than a beat machine. Accompanying my mpc and keyrig are also a m-audio profire 610 audio interface, a pair of behringer truths, a pair of stanton T.150′s and a 27” IMAC. I use Native Instruments complete 7 which is fantastic for laying down vintage or orchestral sounds. Keys,organs, retro 70/80′s synths you name it this package packs a punch. Its pricy though it pays off.  

aahh: We’ve heard you’ve already started work on the full LP. Is it true that Cam has sent you a pile of beats but only one has made the cut so far. Has that been the general way you guys work together?
4th: Yeah I can be pretty notoriously picky with music. Lucky Cam is a fucking incredible talent and we are on the same page. There are actually a few beats that are definite now. Pretty much if I don’t love a beat and have a feel for what the song is going to be about straight away, then it most likely wont get used.

aahh: Can you give us a little insight on how the album will compare to the EP?
4th: In the early stages its more musical I suppose, Cam’s production is definitely moving forward in this way. Fundamentally I suppose it will be similar to the EP but I guess just ‘bigger better more’ (yo Opees!). We know what we want to do with it for this release, which I guess is a good thing.

aahh: How far into the album are you and will we see a 2011 release?
Cam Bluff: We have a few songs written and roughly recorded and a few more beats picked out. And yes we are aiming for a late 2011 release.  

aahh: With the recent floods and cyclones to hit QLD, there have been numerous benefit gigs and money-raising efforts. Vegas Aces were involved in a Rap Relief track. Tell us a little bit about the track and how these disasters have affected you on a personal level and as a member of the community?
4th: That track came together through Chris at Soulmate Records and mutual friends Choose Mics, Seven and Syntax. I dunno? I kind of just jumped on board, Cam was making a beat with the same sample which was meant to switch up or be a remix but didn’t end up happening in time. Then Tom wrote and recorded the chorus after I recorded my verse and that was that really. I wasn’t affected directly by the floods but I know people who were and it was fucking horrible. As horrible as it was, it also showed how altruistic we can be as a city/country with all the donations and charity gigs and that was brilliant! The whole world seems to be getting reamed at the moment thought… shit is hectic.

aahh: What’s 2011 hold in store both as separate artists and for Vegas Aces?
4th: As Vegas Aces we are aiming to have the album out late this year. We want to tour. Tour. And tour again. Basically just stay building and making music. Hopefully I will getting up and finishing the Pure Product album.  
Cam Bluff: Damn so far 2011 has kept me busy. Along with the VA album i will be reconnecting with Spit Syndicate on their next release. I have another project im working on with Syntax. We’ve pretty much chosen all the beats and we are looking at a late 2011 release.  

Purchase Vegas Aces EP – AV All Day here.

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The Optimen Update – The Out of Money Experience (April 10)

22 02 2010

It’s been awhile since we first heard about The Optimen’s next project, The Out Of Money Experience and finally after all this waiting, the guys have locked in a release date. April 10 will be the day The Optimen unleash The Out Of Money Experience on the nation with a few tracks floating around already (Myspace and free download),  things are sounding large. Here’s what the guys at Red Tape had to say about the whole affair.

We got some good news here at Red Tape! From the people who brought you Boomtown and The Red Tape Renegades, The Optimen’s long-awaited sophomore album is in the big canvas bag with the dollar sign on it and they’re laughing all the way home from the bank (to keep from crying). The Out of Money Experience is a sonic excursion, a boom-bastic voyage, a sample-based tour-de-force, enriched lyrically by your favourite Boomtown bandits, The OPees.
Yeah, son. Shit is real! The production is bigger and better then ever.  The sample chops are more musical and the low-end will leave you all shooken and your innocence tooken.
Of course, the drums are going to slap you in your face and “demand satisfaction”, and the raps will submerge the brain through the engaging consciousness of Kristoff the Russian, Sammsonite and DATS.
Subversive, honest and skillful, the OPees have kept it on a level.  The guests are all your favourite rappers (and even some of your less favourite ones!)  Tommy Ill, Jehst (UK), Rainman, Lazy Grey, Pure Product, The Archetypes (Clinic and Proclaim), Adverse and
Phil the Agony (US).

The Optimen never fail to impress and early signs point to another banger. There are some huge names here, Tommy Ill, Rainman, Prue Product, Jehst. A track of interest should be Lazy Grey’s appearance with Laneous from Laneous and The Family Yah’s (more to come on these guys soon). You can check three tracks from the new album here. You can also download the leaked Fire Fighters track here. Not long now….

Tracklisting:
1. O Shit!
2. Always
3. On the Rocks
4. 80s Babies
5. Firefighters
6. Interlude 1
7. Bigger Better More feat. Tommy Ill
8. Dust feat. Jehst
9. 30 Rock feat. Rainman
10. Something in the Air feat. Lazy Grey and Laneous
11. Interlude 2
12. Pay Cheques
13. Act 1 feat. Pure Product
14. Drop That
15. Number One feat. Adverse
16. Respecognise feat. The Archetypes and Kel
17. On the Rocks (Cam Bluff remix)
18. Number One (remix) feat. Phil The Agony and Adverse






Crate Creeps and Prue Product Albums 2010

23 11 2009

Both the Crate Creeps and Pure Product have their own albums coming up for release in early 2010 and DJ Butcher and 4th thought they’d do a short track for Myspace (here) and Youtube (above) to let everyone know that shit is happening and that new albums are in the works!!

Crate Creeps consists of DJ Butcher and Tommy Illfigga and are two like-minded producers who, with a similar sound became friends. After producing music separately for over 6 years each they have united to form The Crate Creeps.

The guys are currently working on a 18 track compilation release, with all production by the Crate Creeps, featuring Australia’s best emcees with some special appearances by numerous overseas bigshots. Their debut album, as mentioned above will be out in early 2010.





Kings Konekted – Trails to the Underlair: The Prequel

16 09 2009

KingsKonekted allaussie hip hop

I have to say we have slept a bit on this release.  So to make up for it were giving you a bit of a post from the guys myspace page. There has been a great response from everyone who has peeped this album and for a mixtape release, we think it’s a huge effort. The buzz on ozhiphop.com has been huge and some big head including 360 think these guys are ‘fucking good’.

If your well familar with Kings Konekted you can catch the guys in Fortitude Valley, Queensland, at the Junilee Hotel October 24th. Prue Product, Vapor Ink and Demolition Cru are the special guests.

After releasing albums from international artists such as MF Grimm, KRS-One & Thirstin Howl III, Queensland-based Class A Records, in association with Toaster Entertainment, is proud to present its first all-Australian product: the debut street album from Kings Konekted.

Trails to the Underlair: The Prequel announces the arrival of two young but supremely talented MCs, Dontez and Culprit, who flex rhymebooks full of wordplay to immediately captures the listener’s imagination. They are backed by established DJ/producer Stricknine, who has no doubt about the skills of his protégés. “Out of all the people I have worked with, from New York to LA to the UK, I can honestly say these guys are on the same level as the best I have produced for,” he says.

These MCs don’t waste their breath on empty boasts. Dontez and Culprit have been working together since their early teens to perfect their craft. Since joining forces with Stricknine in 2006, they have been working tirelessly in Class A Studios and the results appear here and on their forthcoming official album. Their intricately structured rhymes are deeply personal, strikingly insightful and at times brutally dark. On The Prequel, Dontez and Culprit show a cutthroat mic style that has echoes of Melbourne pioneers Prowla and Lyrical Commission, but demonstrates a realm of experience that is entirely their own.

Stricknine
has been touring and producing since long before launching Class A Records in 2003. He produced the majority of MF Grimm’s 2007 album The Hunt for the Gingerbread Man, a concept album that was hailed an instant classic in reviews from the Source and XXL, where it received higher ratings than Nas’ Hip Hop Is Dead and Eminem’s Re-Up mixtape. It scored heavy airplay worldwide, including regular rotation from tastemaking stations such as New York’s Fat Beats. The lead single “Earth” reached number 1 on both the Rapattacklives and Rapnetwork charts while the album made it to 13 on the CMJ album charts. Stricknine has also created beats for Blaq Poet, Celph Titled, Kool Keith, Thirstin Howl III and many more.

More than just a mixtape, Trails To The Underlair: The PrequelLyrical Commission’s acclaimed beatmaker Trem and KingsKonekted’s own Dontez, whose remix of the Brad Strut/Lyrical Commission heater “Bounty Hunterz” held its own against mixes from international talents like M-Phazes and Jehst on Strut’s Rejuvenation remix album.

Kings Konekted have torn up stages with the world’s best, Lord Finesse, Masta Ace, Necro, Planet Asia and Roc Raida, as well as the cream of the Australian scene. On more than one occasion as support act, they’ve had a bigger crowd on the floor than the headliner. They’ve now recorded with some of the most vital artists in the world today, including Blaq Poet, Ty Nitty, MF Grimm, Pumpkinhead, Brad Strut, Prowla, Trem and Ciecmate and Newsense.

With the official debut album Corrupted Citizens being fine-tuned in the studio by Stricknine, the rise of Kings Konekted has just begun. Trails of the Underlair: The Prequel is a taste of what’s to come.








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